Choreographer Susan Rethorst has said, “In my work, I rely on these ineffable dimensions of movement; the extraordinary phenomenon that we study every day as we decide who to talk to, where to sit on the bus and what we think; we read every situation through movement. To make performance out of this aspect of our nature, this phenomena, is what fascinates me.”
Philadelphia Dance Projects presents the finale to a year-long range of creative and performance activities in the Philadelphia region with new work by venerated New York “downtown dance” artist Susan Rethorst choreographed for Group Motion Dance Company and its cast of dancer/creators including David Konyck, Ellie Goudie-Averill, Gregory Holt, Lesya Popil and others.
The Kimmel Center, Inc., best known as a presenting organization and home of the Philadelphia Orchestra, Opera Philadelphia, and the Pennsylvania Ballet, is one of the most well-attended cultural venues in Philadelphia.
A multidisciplinary interpretation of Igor Stravinsky’s orchestral score The Firebird that links South African and Russian traditions.
Pasión y Arte is an all-female dance company that creates challenging and original modern flamenco works.
Jonah Bokaer is a choreographer, media artist, artist space developer, and social entrepreneur whose work integrates choreography with digital media.
Theater artist Geoff Sobelle honored his roots with a multilayered show about three magicians, simultaneously presented as a real magic show and a hoax.
Lamont B. Steptoe is a poet and a 2006 Pew Fellow.
A performance piece interpreting classical South Indian music and dance, inspired by themes of liberty and freedom drawn from Philadelphia’s history.
Promoting cultural exchanges between Ukrainians and the global community, Voloshky Ukrainian Dance Ensemble seeks to represent the country’s culture through dance.
Caden Manson is a theater artist and a 2002 Pew Fellow.
Zeena Parkins is a pioneer of contemporary harp practice and performance, has extended the language of the harp with unusual playing techniques, preparations, and layers of electronic processing.
“There is a hunger for a conversation about process,” says dancer and choreographer Tania Isaac, when asked about changes in audience expectations.
Arcadia University Art Gallery presented the first United States museum survey of the internationally acclaimed artist’s ceramics outside of New York City.