Pasión y Arte offers this free master class with flamenco master Israel Galván, star of the festival performance La Curva, as part of its 2014 Philadelphia Flamenco Festival. All levels are welcome and encouraged to join.
Israel Galván de los Reyes was awarded the 2005 National Dance Prize by the Culture Department of Spanish Government for his ability to generate innovation in a traditional art form such as flamenco without undermining its cultural roots, and to create flamenco that is universal to gender. In 1994, he joined Compañía Andaluza de Danza, directed by Mario Maya, marking the start of an unstoppable career that would earn him the most prestigious prizes in flamenco and dance. Galván’s work represents a new vision for flamenco: artistry that respects flamenco’s traditions, while simultaneously embracing elements of other dance forms. Humor, narrative, and theatricality are additions to Galván’s work, which purposefully expand the traditional form of flamenco as a means to converse with new audiences.
Brenda Dixon Gottschild completed research and writing for her book, which tells the story of Joan Myers Brown and the previously unwritten 20th-century dance history of black Philadelphia.
Member-run artist collective Vox Populi will launch a curatorial fellowship program dedicated to performance art, hosting five curatorial fellows in total over a period of two years.
While Jens Hoffmann was in Philadelphia to lecture at the Center in 2011, he made a few “studio” visits with local dance companies and described the experience to us.
Eleone Dance Theatre is a Philadelphia-based troupe dedicated to dance that celebrates intergenerational and multicultural themes.
Founded in 2005 by Christine Cox and Matthew Neenan, BalletX unites distinguished choreographers with a company of world-class dancers to “forge new works of athleticism, emotion, and grace.”
Eric Schoefer is a dancer and a 1999 Pew Fellow.
MacArthur Fellow Ken Vandermark and the Made to Break Ensemble premiere a piece inspired by the Barnes Foundation’s collection.
We ask DeFrantz how changes in technology are impacting the ways in which artists produce narrative.
Jean Isaacs is the artistic director of San Diego Dance Theater and the founder of Trolley Dances.
Founded in 1910, International House Philadelphia (IHP) presents cultural programs in the areas of music, exhibitions, and cinema—the latter being its flagship program.
In an essay excerpt accompanying a series of programs related to the performances of After the Rehearsal/Persona, theater editor and critic Tom Sellar describes Ivo van Hove’s affinity for complex characters, his commitment to text, and his ability to transcend traditional disciplines.
The Philadelphia Flamenco Festival offers a free master class with flamenco master Pastora Galván.