Structured as an animated discussion and supported by rich audio and visual examples, four flamenco scholars weigh in on the connections between flamenco and popular culture in varying historical contexts. Lynn Matlock Brooks will delve into the 16th- and 17th-century traditions that created the framework for the emergence of what we now recognize as flamenco. Meira Goldberg will discuss the figure of La Macarrona, star of the Café Cantante period in Spain at the turn of the 20th century. Finally, Ninotchka Bennahum will contextualize the flamenco body in dialogue with the social and political events surrounding modernism, and additionally trace the legacy of flamenco in Philadelphia. The session, part of Pasión y Arte’s 2014 Philadelphhia Flamenco Festival, will culminate in questions and dialogue with the audience. Contemporary context for the discussion will be introduced by festival educational curator Michelle Heffner Hayes, Ph.D., in order to facilitate the interaction.
People’s Light is one of Pennsylvania’s largest professional nonprofit theaters and is known for its resident company of artists, eclectic mix of productions, and for innovative work with young people.
Pulitzer Prize-winning composer David Lang will create a new composition for 1,000 broken instruments gathered from Philadelphia public schools, to be performed by a 600-member orchestra comprised of students, teachers, and professional and amateur musicians.
Robert Crowder (1930–2012) was the founder of Kùlú Mèlé African Dance and Drum Ensemble and a 2004 Pew Fellow in folk and traditional arts.
Robert H. Browning, born in Singapore and educated in London, was the founding director of New York City’s World Music Institute, a position from which he retired in 2011.
Recognized as one of the world’s leading conservatories, The Curtis Institute of Music (Curtis) was founded in 1924 by Mary Louise Curtis Bok. Curtis has educated and trained some of the most exceptionally gifted young musicians from around the world for careers as performing artists on the highest professional level.
Opera Philadelphia’s 2013 production of Silent Night received media attention in the New York Times and the Philadelphia Inquirer.
For his first Philadelphia appearance in over four decades, Milford Graves will present a rare solo performance inside the oldest barn in Philadelphia County at Bartram’s Garden.
Pig Iron Theatre Company launched the School for Advanced Performance Training: a two-year certificate program for actors and directors.
Cinnamon Catlin-Legutko is the President and CEO of the Abbe Museum in Bar Harbor, Maine, which presents the history and cultures of the Wabanaki people. She served as a panelist in Exhibitions & Public Interpretation in 2015.
Pam Tanowitz is a choreographer and the founder of Pam Tanowitz Dance. In 2015, she served as a Performance LOI panelist.
Joshua Rubin is a founding clarinetist and the program director of ICE, where he oversees the creative direction of more than 50 concerts per season.
New Paradise Laboratories’ Center-funded production of Freedom Club received media attention after traveling to New York City.