The uneasy relationship between innovation and tradition in flamenco belies its history as a form that is recognizable in its codes, yet resilient enough to sustain itself through continuous change. A look at flamenco’s history reveals its capacity to assimilate specific influences and transform in different contexts. Contemporary flamenco, for all its experimental tendencies, recaptures some of flamenco’s historic antecedents and imbues them with a new significance. In this lecture—part of Pásion y Arte’s 2014 Philadelphia Flamenco Festival—Michelle Heffner Hayes will use historic descriptions and video clips, from the 20th century to the present, to explore what is introduced and lost in each context, and how these elements shape flamenco as we know it. As an ongoing discussion, the presentation will culminate in questions and comments from the audience.
In June 2013, Pennsylvania Ballet presented the Center-funded company premiere of William Forsythe’s Artifact Suite, which was previewed by ABC 6 Action News.
The Kimmel Center, Inc., best known as a presenting organization and home of the Philadelphia Orchestra, Opera Philadelphia, and the Pennsylvania Ballet, is one of the most well-attended cultural venues in Philadelphia.
Founded in 2002 by two composers, Chamber Music Now provided the Philadelphia community with original concert productions.
Built on a foundation of public dialogue and interaction, the Re-Place-ing Philadelphia project used art as a lens for viewing the city and its history.
Dan Murphy and Anthony Smyrski work together as the artist duo Megawords. They are well known throughout Philadelphia for installations that are equal parts gathering space, artist studio, and storefront.
Originally created with Center support for the 2012 FringeArts Festival, Georgia Tech Arts now presents Thaddeus Phillips’ Red-Eye to Havre de Grace at the Ferst Center for the Arts.
Over the course of his 30-year career, percussionist and 2000 Pew Fellow Pablo Batista has performed, recorded, and toured with a range of leading jazz, R&B, Latin, pop, and gospel artists including Bono, George Howard, Alicia Keyes, Gerald Levert, Jeffrey Osborne, Eddie Palmieri, Teddy Pendergrass, Diane Reeves, Grover Washington, Jr., Musiq, Manny Oquendo’s Conjunto Libre, and the Philadelphia Orchestra.
Red-Eye to Havre de Grace, created by Thaddeus Phillips with support from The Pew Center for Arts & Heritage, is reviewed in the New York Times.
Kun-Yang Lin/Dancers is one of the country’s foremost contemporary Asian-American dance companies, celebrating the ability of dance to integrate body, mind, and spirit.
While Jens Hoffmann was in Philadelphia to lecture at the Center in 2011, he made a few “studio” visits with local dance companies and described the experience to us.
Reggie Wilson is the artistic director of Reggie Wilson/Fist & Heel Performance Group, where he presents his unique blend of African and post-modern dance styles.
the ICA presents Mouth of Darkness, a performance by musician Travis, organized by Endless Shout collaborator The Otolith Group.