La Curva features Inés Bacán’s spare singing, Sylvie Courvoisier’s atonal and dissonant compositions, which bear no resemblance to what we know of flamenco music. When there is no musical accompaniment, Israel Galván listens intently to his own body and explores the silence by creating a score using rhythms from his footwork, his snapping fingers, and even his voice.
Galván is known for his rhythmic experimentations, composing phrases that fragment rather than smoothly blend into traditional rhythms. He additionally reorganizes the sequence of song and guitar measures, invoking unusual emotional weight to his dynamic steps and directional changes. Galván’s innovations uproot flamenco, taking its movement into an abstract realm and infusing the classical style with a distinct personal aesthetic. Through the dozens of works he has created since founding his own company in 1996, Galván has revolutionized the conceptual possibilities of flamenco with his experimental investigations into choreography and staging.
Performances will be held on March 15, 2014 at 8 p.m. and March 16, 2014 at 3 p.m.
An evening of theater, dance, and multimedia performances inspired by the Center-funded project Cliveden’s Living Kitchens.
Ana Janevski is Associate Curator in the Department of Media and Performance Art at The Museum of Modern Art. In 2015, Janevski served as an LOI panelist in Performance.
In June 2013, Pennsylvania Ballet presented the Center-funded company premiere of William Forsythe’s Artifact Suite, which was previewed by ABC 6 Action News.
Isaac choreographed an evening-length, semi-autobiographical work about motherhood that combines American and Caribbean dance aesthetics.
This event features saxophonists/composers Ries and Zenón, and WNYC’s John Schaefer, as they address the unique challenges of collaborating across genres.
The Philadelphia Inquirer reviewed the latest presentation in The Crossing’s Month of Moderns festival, The Gulf (between you & me).
Hazami Sayed is the founder and executive director of Al-Bustan Seeds of Culture
Caribbean-American dancer-choreographer Tania Isaac (Pew Fellow, 2011) fuses choreography with personal documentary and social commentary.
Join the Painted Bride Art Center for a public conversation with Yerba Buena Center for the Arts’ Chief of Program & Pedagogy, Marc Bamuthi Joseph, and Opera Philadelphia’s Vice President of Community Programming, Michael Bolton, for a thought-provoking discussion on how to create immersive and socially engaged programs that address today’s challenges.
WXPN is a public radio station operated by the University of Pennsylvania, best known for its World Cafe music program, distributed by National Public Radio.
A year-long series of participatory performances at Washington Avenue Green will activate a one-acre site on the Delaware River waterfront that served as the entry point to Philadelphia for immigrants in the early 20th century.
Lumi Tan is curator at The Kitchen in New York, where she organizes exhibitions and produces performances with artists across disciplines and generations.