Philadanco reconstructs Bad Blood, a highly physical and seldom-performed piece by Ulysses Dove as part of an evening of dance at The Kimmel Center for the Performing Arts.
Dove’s innovative work has premiered at the New York City Ballet (Twilight, Red Angels, 1994), as well as with world renowned companies, such as the Dutch National Ballet, the Basel Ballet, American Ballet Theatre, London Festival Ballet, and Groupe de Recherche Choreographique de l’Opéra de Paris, where he spent three years as assistant director (1980–83). Dove passed away in 1996, and has been continuously revered for his explosive, forceful dances he brought to the stage.
“I’m always looking for work that challenges my dancers, and this is even more demanding because of the structure of the work,” says Joan Myers Brown about the company’s premiere of Bad Blood. “It’s about relationships, but a lot of the lifts are ‘death-defying’ and it requires the dancers to have the utmost trust in each other.”
Ulysses Dove: Bad Blood
Gene Hill Sagan: Suite En Bleu
Rennie Harris: Philadelphia Experiment
Donald Byrd: Bamm
Nina Simon is executive director of the Santa Cruz Museum of Art & History in California and author of The Participatory Museum.
In addition to his work as a solo performer, Jaamil Kosoko is co-director of anonymous bodies and the founder and executive producing director of the Philadiction Movement in Philadelphia.
This exhibition and website will investigate Philadelphia’s long history of row house development as an architectural territory to be mined for physical and social histories, new ideas, and urban innovations.
An urban performing arts center on the campus of the University of Pennsylvania, the Annenberg Center presents touring theater, jazz, and world music.
Independent curator Claire Tancons discusses the complex issue of institutional resistance among artists of particular backgrounds.
Ralph Rugoff is director of the Hayward Gallery at the Southbank Centre in London.
Susan Stewart is a poet and a 1995 Pew Fellow.
Pushers is a powerful dance-theater performance examining addiction and its consequences, created by Iquail Shaheed and his company using the stories of nine youth from West Philadelphia.
Recognized as one of the world’s leading conservatories, The Curtis Institute of Music (Curtis) was founded in 1924 by Mary Louise Curtis Bok. Curtis has educated and trained some of the most exceptionally gifted young musicians from around the world for careers as performing artists on the highest professional level.
Two Center-funded performance projects presented by FringeArts at the 2015 Fringe Festival—Available Light and After the Rehearsal/Persona—have gained positive reviews in The New York Times.
Naomi Beckwith is a curator at the Museum of Contemporary Art, Chicago, known for recognizing artists whose practices are social, participatory, and communal.
Jones is a movement performance artist who intertwines personal history, diasporic movement, social commentary, and interdisciplinary methods, drawing from, in her words, “the individual and collective lived experiences of blackness.”