The Dance Apocalypse by Gabrielle Revlock and Nicole Bindler

Add to Calendar Buy Tickets

Gabrielle Revlock and Nicole Bindler. Photo courtesy of the artists.

An end-of-the-world love story that takes place within the context of a director’s commentary. A sensationalist talk show and a million-dollar Kickstarter campaign for a fictional feature length film. A creative collaboration about two female artists in a spectacle-driven world.

The Dance Apocalypse, a new dance by Gabrielle Revlock and Nicole Bindler, is La Jetée meets Quebecois line dancing. Within a set of comedic backdrops, the dance explores the nature of creative collaboration between Revlock and Bindler, shedding light on tensions and delights in relation to art-making. The director’s commentary is of their previous work, I made this for you, a raucous dance about audience engagement and community building. The push and pull of co-creating I made this for you is the inspiration for The Dance Apocalypse, which further investigates Revlock and Bindler’s collaborative relationship. As body-based performers, the duo physicalizes disagreements through combat scenes created by Barrymore Award-winning fight choreographer Brett Cassidy. Dramaturgy for The Dance Apocalypse is by Jane Comfort. Celebrated for her use of language, Comfort’s experiments with the intersection of text and movement have garnered her a Guggenheim Fellowship and established her as a master in the field.

This performance is preceded by an eight-week series of free CardioCreativity dance classes at Mount Vernon Dance Space every Monday from February 17 to April 7, 2014. For more information on these classes or to RSVP, click here. Space is limited.


Pig Iron Theatre Company’s Center-funded production of Twelfth Night was featured in Time Out New York.

Grants & Grantees

“The best day in the studio is when everything feels like magic,” says 2009 Pew Fellow and visual artist Sarah Gamble.

Anna Drozdowski, a curator of performance, hosts European duo Jonathan Burrows and Matteo Fargion for a two-week retrospective of their collaborative career. The two juxtapose the formality of music composition with a radical and open approach to performance, composition and audience.

Dance artists Megan Mazarick, Shavon Norris, and Meredith Rainey created new works in residency at the Community Education Center.

In conjunction with FringeArts’ presentation of Macbeth by South African theater artist Brett Bailey, a series of film screenings will be held to explore the social, political, and artistic themes within the work.

Grants & Grantees

FringeArts will produce a re-imagined production of this seminal multidisciplinary work by choreographer Lucinda Childs, architect Frank Gehry, and composer John Adams at its September 2015 festival in Philadelphia.

Grants & Grantees

Pasión y Arte is an all-female dance company that creates challenging and original modern flamenco works.

Grants & Grantees

Steve Krieckhaus is a dancer and a 1992 Pew Fellow.

Collaborators & Colleagues

Shannon Jackson is the Associate Vice Chancellor for the Arts and Design, the Cyrus and Michelle Hadidi Chair of the Humanities, and a Professor of Rhetoric and of Theater, Dance and Performance Studies at the University of California, Berkeley.

Percussionist and Pew Fellow Pablo Batista presents a work-in-progress showing of his forthcoming Center-funded project El Viaje (The Journey), as part of The Barnes Foundation’s Free First Sunday series.

In the first iteration of the Center’s danceworkbook series, Philadelphia’s Headlong Dance Theater examines artistic process in collaboration with choreographer Tere O’Connor.

Grants & Grantees

James Primosch is a composer and a 1996 Pew Fellow.