AUX Curatorial Fellow Jamillah James presents a screening of The Fantasies Given to Us May Never Be Fixed, a recent video that forces the performance of masculinity into crisis, often from the margins. The screening will be followed by a performance from Philadelphia-based artists Kris Harzinski and Will Haughery, whose collaborative practice embraces a vocabulary of hypermasculinity as a manner of critique. This event will also feature a short discussion and talk-back with Harzinski and Haughery after the performance.
Jamillah James is a New York-based curator who succeeds Marissa Perel, AUX’s fall 2013 Curatorial Fellow. Over the course of two weekends in May, and two in June, James will present a series of performances and events, in conjunction with her fellowship.
The AUX Curatorial Fellowships have been supported by The Pew Center for Arts & Heritage.
Elizabeth Armstrong joined the Palm Springs Art Museum in January 2015 as the Chief Executive Officer and Director. She served as a Center exhibitions panelist and LOI panelist in 2012.
The Conservation Center for Arts & Historic Artifacts is one of the country’s largest non-profit conservation labs.
People’s Light & Theatre Company undertook a long-range plan to align future programming with its mission of integrating art and education.
MacArthur Fellow Vijay Iyer is a critically-acclaimed jazz pianist and composer.
The Barnes Foundation will host two educational classes on the history of performance art and urban exploration.
Major Jackson is a poet and a 1995 Pew Fellow.
Beijing-based artists Song Dong and Yin Xiuzhen brought to conclusion a 12-year series of works with this exhibition at the Philadelphia Art Alliance.
Sam Miller, President of the Lower Manhattan Cultural Council, talks about the relationship between risk and artistic process.
On Monday, June 13, 2016, we announced and honored the 2016 grantees of The Pew Center for Arts & Heritage with a celebration at Christ Church Neighborhood House.
Eckes’ poetry documents the voices and histories of urban life through narrative-driven, investigative, and experimental texts that draw from sources such as news archives, personal accounts, and corporate correspondence.
“I curate for curious people. I curate for people who love some other field or subject the same way I love art. I curate for those people who need to be won over, but are willing.”
Composer Jace Clayton and Barnes Foundation executive director and president Thom Collins on presenting a site-specific performance informed by the artworks of the Barnes.