Ally is a performance-as-exhibition that reimagines the traditional retrospective, conceived by MacArthur Fellow Janine Antoni in collaboration with pioneering choreographer Anna Halprin and contemporary dance artist Stephen Petronio during a two-year residency at The Fabric Workshop and Museum (FWM).
Ally combines installed environments, sculptures, and repeated movement performances on four floors of FWM:
An improvised performance work instigated by Halprin, who presented a rope to Antoni and Petronio to be used as a tool to connect their bodies and draw lines through space. In the gallery, audience members are invited to connect their bodies with the rope as well. A monthly performance will be held in the gallery, and a wall-sized projection will be on view when the performance is not taking place.
An installation of audio and fabric that documents the act of 10 witnesses who each swallowed half of a 10-foot strip of cloth woven by FWM. Visitors can listen to the testimonies of the participants and view a piece of cloth with the only photograph of the swallowing ritual printed upon it.
The Courtesan and the Crone
A monthly performance featuring Petronio performing a dance of seduction while wearing a robe, Venetian mask, and women’s shoes, originally choreographed by Halprin as a solo for herself in 1999.
A weekly improvised performance in which Antoni, in an arena of wooden crates containing her own artworks, uses rolls of brown paper to explore her artistic history. Over the course of the exhibition, paper remnants of Antoni’s performances will accumulate in the gallery, while a film of Halprin’s seminal 1965 work Parades and Changes is screened amongst the disarray.
Maria Bauman is the founder and artistic director of MBDance, which has received Harlem Stage Fund for New Work awards through the Jerome Foundation, among other honors. Bauman served on the Center’s Performance panel in 2014 and 2015.
Ballet répétiteurs such as Lincoln work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
Ellen McLaughlin’s adaptation of the ancient Greek tragedy by Aeschylus included original music by sound designer Daniel Kluger.
This month in Fellows Friday news: Alex Da Corte prepares for a major exhibition at ICA Philadelphia, and new albums from Orrin Evans, Mary Lattimore, and Chris Forsyth have generated buzz. We also say goodbye to jazz violinist John Blake, Jr.
Sheryl Robin David is a craft artist and a 2000 Pew Fellow in folk and traditional arts.
Five Pew Fellows have been awarded artist residencies in 2014, part of the ongoing partnership between The Pew Center for Arts & Heritage, the Alliance of Artists Communities, and four North American artist residency programs.
The Institute of Contemporary Art presents in-process showings of Cynthia Oliver’s dance-theatre work Virago-Man Dem, organized by Danielle Goldman.
Theater artist Thaddeus Phillips, a 2002 Pew Fellow, will create a new bilingual performance work for theater, inspired by his experience working on Colombian telenovela Alias El Mexicano.
Libbie Hawes is the preservation director at Cliveden of the National Trust in Historic Germantown.
Rebecca Westcott (1976–2004) was a visual artist and a 2004 Pew Fellow.
Silvana Cardell is a choreographer, dancer and, educator, whose choreographic impulses are defined by her experience as an Argentine expatriate living, working, and raising a family in the United States.
John Dias is a respected dramaturg with extensive experience working on a broad range of new plays and classics, and the artistic director of the Two River Theater Company in Red Bank, NJ.