Pew Fellow Meg Foley presents action is primary, an exhibition and performance series featuring photographic, moving-image, sonic, and written documentation of up to 750 dances, which Foley performs on a daily basis at 3:15pm. Foley trained three additional dancers in her improvisational practice, who will contribute to the resulting exhibition that documents the development of the creative process, facilitated by New York City-based choreographer Jeanine Durning.
View the full schedule of performances and events here.
Pig Iron Theatre Company presents an in-progress showing of its symphonic theater work A Period of Animate Existence, ahead of its September 2017 premiere.
As the United States’ finest museum of medical history, the Mütter Museum displays its beautifully preserved collections in a 19th-century “cabinet museum” setting.
The Kimmel Center, Inc., best known as a presenting organization and home of the Philadelphia Orchestra, Opera Philadelphia, and the Pennsylvania Ballet, is one of the most well-attended cultural venues in Philadelphia.
Pew Fellow and poet Brian Teare (2015) has been awarded a residency through the Center’s ongoing partnership with MacDowell Colony.
Fatu Gayflor (Pew Fellow, 2014) learned music, dance, and traditional arts at an early age in rural Liberia. She states that her goal is “to use singing and songwriting to build cooperation and community among Liberians.”
Thomas Devaney (Pew Fellow, 2014) considers poetry an act of exploration. His work is a lyric evocation of, and meditation upon, remembered people, places, his native city of Philadelphia, and the passage of time.
Informed by personal experiences with tinnitus, this collaborative performance series and electroacoustic installation will explore hearing damage, anchored by a handcrafted 20-foot long instrument of piano strings, amplifiers, and a mixer.
The Galleries at Moore chief curator Kaytie Johnson talks with us about new audience engagement strategies, the importance of making education a participatory experience, and her vision for The Galleries in the years to come.
Edgar J. Shockley III (Pew Fellow, 2008) sees his unique contribution to the world as reconciling African and European theatrical aesthetics, making us all more aware of what it means to be human.
One the first curators to radically re-think the contemporary art exhibition context, Siegelaub spoke with Gleadowe, a British art historian, prior to his passing in 2013 for a forthcoming book from the Center on structural innovation in exhibition-making.
The New Year brings a multitude of Center-funded projects that innovate, inspire, and expand the possibilities of artistic discovery and expression.
This series curated by a local music expert sought to challenge our notions of music and noise with playlists that represented a range of genres, accompanied by interpretive narratives.