Percussionist and Pew Fellow Pablo Batista presents El Viaje (The Journey), a new performance work blending traditional Afro-Cuban rhythms and contemporary Western instrumentation, Afro-Caribbean choreography, and evocative multi-media imagery. Telling a story of the spiritual and cultural resilience of those forced to emigrate from Africa to the Americas, El Viaje will feature a dynamic mix of instruments including bata and conga drums, piano, trumpets, trombones, and string quartet, to create an immersive musical experience.
Philadelphia Dance Projects and Group Motion Multi Media Dance Theater present the finale of Susan Rethorst/Moving in Philadelphia: 2013-2014, a world premiere work by choreographer Susan Rethorst.
Journalism and first-person storytelling will intersect in a multi-media project featuring a series of public radio broadcasts and podcasts, presented in collaboration with First Person Arts.
Ain Gordon, the Center’s 2011–13 Visiting Artist, spoke with choreographer and director Merián Soto about her Center-supported piece, SoMoS.
Philadelphia Baroque orchestra Tempesta di Mare received support for performances and modern-day premieres of mostly unpublished works by Johann Friedrich Fasch.
We are deeply saddened by the news that Nicholas Kripal, 1999 Pew Fellow, passed away on September 30, 2016.
Brian Teare’s (Pew Fellow, 2015) poetry is concerned with embodiment—both our human bodies and the natural environment around us.
After dancing as a member of the Merce Cunningham Dance Company from 1984 to 1993, and the White Oak Dance Project from 1994 to 1996, Patricia Lent teaches, stages, and conducts workshops at the Merce Cunningham Trust, where she is a Trustee and Director of Licensing.
In conjunction with its ongoing project Endless Shout, the Institute of Contemporary Art presents a conversation between visual artist Charles Gaines and poet Fred Moten.
Tempesta di Mare performs baroque music on baroque instruments with “a zest and virtuosity that transcends style and instrumentations.”
Twelve years after its debut, Bryn Mawr College’s Performing Arts Series presented this work with the John Jasperse Company.
Over the course of its 2013–14 and 2014–15 seasons, Tempesta di Mare will present a concert series of French baroque orchestral music played on period-specific instruments.
Annenberg Center Live presented Basil Twist’s Petrushka and held workshops for local puppeteers, which included a tour of Twist’s studio.