As part of its year-long project The Quiet Circus, Headlong presents a series of River Charrettes—performances and participatory conversations—at various sites along Philadelphia’s waterfronts. The first River Charrette will take place on September 24 at Bartram’s Garden, and will feature a performance by performance artist Eiko Otake. Co-curated by Philadelphia Contemporary, the performance will be followed by a discussion between Otake and former Philadelphia Deputy Mayor Alan Greenberger, who advocated for the development of the Schuylkill River waterfront.
Through a series of 36 performances, The Quiet Circus will consider questions surrounding development and decay, land and water, as well as industry and gentrification. Performances will include Island, a dance-theater score created with Ishmael Houston Jones and Polly Motley; Landscape, a performance game that invites audiences to create their own scenery using nine large-scale sculptures; and The Luminous World, a durational piece in which subtle human actions reveal a buzzing, luminous performance of the environment.
Zydeco Crossroads: A Tale of Two Cities is an 87-minute documentary that highlights the current state of the Creole music scene in and around Lafayette, Louisiana.
In 2001 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 57 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Dance scholar Linda Caruso Haviland revisits the work of choreographer William Forsythe and his efforts to re-substantiate what he calls its “trace” in the world.
The PRISM Quartet presents new works composed and performed by Tim Ries and Miguel Zenón.
Susan Rethorst (Pew Fellow, 2014) is an internationally renowned choreographer and teacher of choreography.
FringeArts presented the Philadelphia premieres of Jérôme Bel’s The Show Must Go On and Jan Fabre’s Another Sleepy Dusty Delta Day in the 2008 Philadelphia Live Arts Festival.
Established in 2004, Jazz Bridge is a hybrid nonprofit organization joining performance presentation with professional support services for regional jazz and blues artists.
Since 2006, Kinshasha Holman Conwill has served as deputy director of the National Museum of African American History and Culture, the Smithsonian Institution’s newest museum, scheduled to open in 2015.
Eric Jacobsen, a conductor and cellist hailed by The New York Times as “an interpretive dynamo,” has built a reputation for engaging audiences with innovative and collaborative projects. In 2015, Jacobsen served as a Performance LOI panelist.
Choreographer Lucinda Childs visits Philadelphia to recover dances she choreographed in the 1960s and ’70s.
Dutch artist Jeanne van Heeswijk will initiate collaborations that reimagine Philadelphia’s changing landscape through a series of installations and events across the city, laying the foundation for an installation that will activate the Museum’s Perelman Building.
Pepón Osorio is a visual artist and a 2006 Pew Fellow.