Endless Shout: Jumatatu Poe’s Let ‘im Move You: A Study and This Is a Success

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1/2: Let ‘im Move You, Jumatatu Poe, 2017, Institute of Contemporary Art. Photo by Ryan Collerd.
2/2: Let ‘im Move You, Jumatatu Poe, 2017, Institute of Contemporary Art. Photo by Ryan Collerd.

As part of its ongoing interdisciplinary project Endless Shout, the Institute of Contemporary Art presents a performance of Pew Fellow Jumatatu Poe’s Let ‘im Move You, organized by Endless Shout collaborator Danielle Goldman. Let ‘im Move You is a series of works choreographed by Poe and Jerome Donte Beachman that stem from seven years of research into J-Sette performance. This research informed Poe’s Center-funded project Private Places, presented in 2012.

This event is free and open to the public; register here.

Endless Shout is a multi-artist project examining the role of performance in museum spaces. Over the course of six months, six artists—designer Raúl de Nieves, dancer Danielle Goldman, choreographer taisha paggett, composer George Lewis, poet Fred Moten, and artist collective The Otolith Group—collaborate on an experimental series of dance, music, poetry, multi-media installations, and interactive programs. The project addresses questions about how, why, and where performance can occur, and whose voices are represented within cultural spaces.



References

Grants & Grantees

Woon-Ping Chin is a poet and a 1995 Pew Fellow.

Collaborators & Colleagues

Ain Gordon is a three-time Obie Award-winning writer, director, and actor. From 2011–13, he served as the Center’s Visiting Artist.

Grants & Grantees

Known for its high energy performances, Koresh Dance Company was founded in 1991 by Israeli-born choreographer Ronen Koresh.

Questions of Practice

Patricia Lent of Merce Cunningham Trust, an experienced restager, along with theater-maker Richard Schechner, video/installation artist Sharon Hayes, and UC Berkeley professor and moderator Shannon Jackson, here explores the difficulties of recreating works of performance, and how the terms used to describe such acts—restaging, reconstructing, reenacting—vary across disciplines.

This event features saxophonists/composers Ries and Zenón, and WNYC’s John Schaefer, as they address the unique challenges of collaborating across genres.

Grants & Grantees

New Paradise Laboratories is an experimental performance ensemble that explores radical means to bend conventional ideas of theater.

Drexel University’s Antoinette Westphal College of Media Arts & Design fosters the study, exploration, and management of the arts: media, design, the performing, and visual.

During a recent conversation at the Center, performance impresario and Center visiting scholar Kristy Edmunds was asked, “Why do you do what you do?”

Collaborators & Colleagues

Associate professor and coordinator of world music and ethnomusicology at San Diego State University, Kevin Delgado leads performance ensembles and labs on Afro-Cuban and Afro-Brazilian music.

Choreographer and director David Gordon will participate in three public rehearsals as he develops POLITICAL SHENANIGANS: dancing w/ Brecht & Eisler.

Grants & Grantees

Located in Chinatown North in Center City Philadelphia, Asian Arts Initiative fosters social change through art.

Grants & Grantees

A classical music composer and pianist, Michael Djupstrom (Pew Fellow, 2014) seeks to connect with audiences by bridging traditional and contemporary styles of musical expression.