In conjunction with the forthcoming exhibition Making/Breaking the Binary: Women, Art, & Technology 1968-1985, curator Kelsey Halliday Johnson presents two concerts by electronic music pioneer Suzanne Ciani. Presented in collaboration with the University of Pennsylvania Department of Music, the performances will feature Ciani’s Buchala synthesizer and piano compositions, preceded by a conversation with the composer. On March 29, Ciani will perform at International House, followed by a performance at the Painted Bride Art Center on March 30.
Making/Breaking the Binary surveys a generation of pioneering female artists and relates their work to the technology innovators who helped shape the information age. The exhibition will include visual artists Jennifer Bartlett and Lynda Benglis, and video and media art pioneers Sonia Landy Sheridan, Joan Jonas, Lynda Benglis, Shigeko Kubota, and Dara Birnbaum.
The Village of Arts and Humanities supports the voices and aspirations of the community and inspires people to be agents of positive change through programs that encompass arts and culture, engage youth, revitalize community, preserve heritage, and respect the environment.
John Rasmussen is Midway Contemporary Art’s executive director. He founded the organization in 2001.
Students, teachers, parents, administrators, and community members gathered at the closed Fairhill Elementary School on May 1, 2015 for the launch of Temple Contemporary’s Center-funded reFORM.
Artist and community activist Rick Lowe is the founder of Project Row Houses, a neighborhood-based nonprofit arts and cultural organization in Houston’s Northern Third Ward.
MacArthur Fellow Vijay Iyer is a critically-acclaimed jazz pianist and composer.
Classically trained on the harp since age 11, Mary Lattimore (Pew Fellow, 2014) incorporates experimental techniques and technologies into her music, thereby extending the conventions of her instrument.
Thom Collins on the Barnes Foundation’s efforts to “unpack” the museum’s collection and history through performance.
Astral Artists conducted a two-year residency with Pulitzer Prize-winning composer Aaron Jay Kernis that included several Philadelphia premieres and a world premiere commission.
Makihara’s performance work blends percussion with dance-like body movement, exercising a rigorous, systematic, and practiced process of experimentation and repetition.
Join the Painted Bride Art Center for a public conversation with Yerba Buena Center for the Arts’ Chief of Program & Pedagogy, Marc Bamuthi Joseph, and Opera Philadelphia’s Vice President of Community Programming, Michael Bolton, for a thought-provoking discussion on how to create immersive and socially engaged programs that address today’s challenges.
Located outside of West Philadelphia, The Woodlands Trust for Historic Preservation is a 54-acre, 18th-century garden, cemetery, and mansion that offers the public one of the nation’s most architecturally sophisticated neoclassical houses from the years following the American Revolution.
The company is dedicated to making critically important performance opportunities available to the current generation of opera and theatrical performers, designers, and directors.