The Barnes Foundation presents a 1920s-themed opening party for the multi-part exhibition Person of the Crowd: The Contemporary Art of Flânerie. The event will offer guests a first look at the exhibition, as well as strolling performers.
Person of the Crowd captures city life through a gallery exhibition, newly commissioned public installations and performances, and citizen-created photos and videos. Featuring over 50 artists, including Marina Abramović, Jenny Holzer, Zhang Huan, and the Guerilla Girls, the project invites audiences inside the Barnes galleries and throughout the city to become contemporary flâneurs through activities such as photography and walking tours.
Ars Nova Workshop, a free jazz and experimental music presenter, has programmed nearly 500 events since 2000, often in atypical settings.
The library that Benjamin Franklin founded—one of the first in the country—is the only University of Pennsylvania institution to have been in continuous operation since 1750.
Painted Bride Art Center commissioned three-time Obie Award-winning writer, director, and actor Ain Gordon to unearth a “forgotten” story from Philadelphia’s past for a new play.
Painter Dushko Petrovich offers his perspective on Katharina Grosse’s epic psychylustro—a five-mile-long “painting” sprayed intermittently along a stretch of train tracks in northeast Philadelphia.
Babette Martino (1956–2011) was a visual artist and a 2000 Pew Fellow.
The Barnes Foundation’s Center-funded exhibition, Yinka Shonibare: Magic Ladders, was highlighted in The Huffington Post, Wall Street Journal, and more.
Astria Suparak is an independent curator and former director and curator of Carnegie Mellon University’s Miller Gallery.
LGBT Pride Month is celebrated each year in the month of June to honor the 1969 Stonewall riots in Manhattan. For An Artist Embedded’s June programming, Ain Gordon will explore an earlier protest, Philadelphia’s 1965 Annual Reminder picket—one of the first gay rights demonstrations in the country.
A multidisciplinary cohort of artists will consider how SAADA’s materials can inform new works that grapple with questions of identity and belonging, and create a platform for overlooked histories.
This month in Fellows Friday news: Alex Da Corte prepares for a major exhibition at ICA Philadelphia, and new albums from Orrin Evans, Mary Lattimore, and Chris Forsyth have generated buzz. We also say goodbye to jazz violinist John Blake, Jr.
Bruce Altshuler directs the museum studies program in the Graduate School of Arts and Science at New York University.
Jane Golden walks us through her process when considering a blank wall at the beginning of a mural project.