The Arts & Business Council of Greater Philadelphia builds connections between arts and culture nonprofits and local businesses. In 2008, the Arts & Business Council merged with Philadelphia Volunteer Lawyers for the Arts, and took on that organization’s highly popular work of providing free and reduced cost legal services to artists and arts organizations. In order to make that merger work as effectively as possible, the Arts & Business Council received a grant to create a new full-time position, the director of legal services, to oversee the daily intake of client requests; update and maintain protocols for providing assistance efficiently and professionally; and provide training for both the volunteer law students and volunteer attorneys through the Philadelphia Volunteer Lawyers for the Arts program. Since the merger, the legal services provided through the council have grown dramatically and the position has sustained itself.1
The Wilma Theater created the Wilma Vision Fund, a cash reserve raised and maintained by the board of directors in order to sustain high standards of performance.
Philadelphia’s Clay Studio is a center for local, national, and international ceramic arts communities.
Kathleen McLean, principal of Independent Exhibitions, recently co-facilitated the Center’s project, No Idea Is Too Ridiculous, with Performa curator Mark Beasley.
The Greater Philadelphia Cultural Alliance is a service organization that represents the interests of 400 arts, culture, and heritage organizations in the Philadelphia area.
AUX Curatorial Fellow Jamillah James has organized an evening of performances by Colin Self and M. Lamar.
The staff and board members of Wyck worked with a marketing firm to develop a new marketing plan and brand identity, in order to attract potential audiences.
Chris Madak bridges (Pew Fellow, 2015) drone and contemporary experimental electronic music, demonstrating a refined and subtle, yet accessible, musical voice.
Yoshitomi, chief knowledge officer of MeaningMatters, LLC, responds to a few questions around “Pro-Am” and how cultural organizations engage with their communities and potential audiences.
In commemoration of the 200th anniversary of Frankenstein, this exhibition will highlight two seminal Gothic works—Mary Shelley’s 1818 novel and Bram Stoker’s Dracula—through a selection of rare books, manuscripts, and artifacts to illustrate how these horror stories reflect ethical and scientific questions that continue to challenge us today.
Bartram’s Garden was the home of John Bartram, a Quaker farmer with a lifelong fascination with botany. Today the 45-acre garden is a National Historic Landmark on the banks of the Schuylkill River.
Yancey considers whether arts organizations be expected to approach their businesses with the same degree of courage and creativity that they expect of presenting artists.
Jessie Montgomery is a violinist, composer, and music educator, who currently serves as composer-educator for the Albany Symphony Orchestra.