One of the country’s most active and influential regional arts service organizations, the Greater Philadelphia Cultural Alliance (GPCA) conducts a wide range of programs ranging from advocacy to professional development to re-granting initiatives. In order to better support the financial analysis and reporting required by this mix of activities, GPCA received support toward a new full-time position of controller. The controller reported to the chief operating officer (COO) and managed finance, accounting, and human resources administration and compliance for the GPCA. The position enhanced financial systems, controls, and reporting that informed and support all areas of the GPCA’s work, including policy, marketing, membership, development, grant making, and human resources. Having established these new systems, the controller position was subsequently upgraded to a vice president of finance and administration position.1
Wyck—a house, garden, and farm in the Germantown neighborhood of Philadelphia—served as the ancestral home to a Quaker Philadelphia family for over nine generations.
In the second segment of our three-part conversation with Center Visiting Artist Ain Gordon, he discusses his work throughout his residency period, including his role in the Center’s Push Me, Pull You project.
Regina R. Smith has served as a program officer on the Arts & Culture team at the Kresge Foundation since 2008.
The Clay Studio developed a three-year strategic plan at a critical moment in its history, six years before the organization must relocate and leave its current facility.
This project takes a novel approach to city planning, using theater and the arts to inform an eventual plan of action to revitalize Chester’s historic Deshong Park.
Pig Iron Theatre Company launched the School for Advanced Performance Training: a two-year certificate program for actors and directors.
In fall 2011, the Association for Public Art was featured in USA Today Travel as “the main reason Philadelphia is now said to have more public art than any other city.”
Lee Rainie is the director of the Pew Research Center’s Internet Project, a nonprofit, non-partisan “fact tank” that studies the social impact of the Internet.
The concluding performance of Jamillah James’ AUX Curatorial Fellowship includes new dance performances by New York-based choreographer and dancer niv Acosta, and Philadelphia-based choreographer and dancer Jumatatu Poe.
FringeArts presents, develops, and commissions a range of high-quality contemporary performing and visual arts in Philadelphia.
The Wagner Free Institute of Science is is a natural history museum dedicated to providing free public education in science.
Sara Kellner is the principal of Kellner Consulting, which focuses on the arts, including organizational and creative planning, public art, and fund development.