Headlong Dance Theater has been one of Philadelphia’s most audacious and innovative performance groups, known for previous projects such as CELL and Hotel Pool, which utilized unexpected venues and asked audience members to join the performances. Continuing in that path, This Town Is a Mystery brought dance directly into the private homes of Philadelphia citizens—where the members of those households became the dancers. Interested in creating accessible dances and developing new audiences, often in nontraditional venues, Headlong took this project into various neighborhoods of Philadelphia, where company members worked with non-dancers toward the creation and performance of 25-minute dance-theater works, performed in their homes in front of small audiences, and followed by group dinners. Headlong partnered with Raíces Culturales Latinoamericanas and Scribe Video Center to locate participant homes for the project. This Town Is a Mystery was performed in four homes across 32 performances during the 2012 FringeArts Festival.
The Community Education Center has grown into an arts organization with a focus on cultivating a support system for artists, supported through residency and service programs.
Deborah Schwartz is president of the Brooklyn Historical Society, a nationally renowned urban history center founded in 1863. Most recently, she served as an LOI panelist in Exhibitions & Public Interpretation in 2014 and 2015.
James Fei is an active composer and performer on saxophones and live electronics and an associate professor of electronic arts at Mills College in Oakland, where he has taught since 2006. He served as a Center music panelist in 2013, and an LOI panelist for Performance in 2015.
Independent theater artist Madi Distefano is the founder and former artistic director of Brat Productions, a company dedicated to “caus[ing] a stir.”
Israeli choreographer Ohad Naharin brought his duet to the Koresh Dance Company for performance and taught a series of master classes in his signature dance technique.
Choreographer Ralph Lemon talks about ephemerality in relationship to his work in the dance field, and the complexity of memory.
Dancing Diplomats follows choreographer Taras Lewyckyj’s work with Ukrainian artist Anatoly Kryvochyzha, whose choreography was blacklisted by the USSR in 1977.
In 1997 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 46 dance, music, and theater organizations in the greater Philadelphia region.
On February 21, 2015, the Center launched our new multimedia online publication, A Steady Pulse: Restaging Lucinda Childs, 1963–78, at Danspace Project in New York City.
Lisa Sonneborn’s documentary film and video work has been used to promote social action in the disability community.
Known for innovation, creativity, and preservation of African-American traditions in dance, Philadanco has been dancing in the Philadelphia community since 1970.
Mendelssohn Club of Philadelphia performed the regional premiere of Roberto Sierra’s Missa Latina with the Chamber Orchestra of Philadelphia.