Nichole Canuso, artistic director of Nichole Canuso Dance Company (NCDC), embarked upon Directing My Dancers/Directing Myself—a planning project that included a mentorship under U.K.-based dancer Wendy Houstoun, as a framework which allowed Canuso to reevaluate her choreographic practice. Canuso founded NCDC in 2004 and has worked with companies and organizations such as Pig Iron Theatre Company, Headlong Dance Theater, and The Wilma Theater, among others. This project prompted Canuso to step back from her recent large, theatrical works, and to focus on expanding and exploring her own dance practice. Houstoun is a founding member of London’s award-winning DV8 Physical Theatre and known across Europe for her work, which deftly combines text, movement, visual design, and sound—all parallel to Canuso’s interests. Houstoun engaged in one-on-one sessions with Canuso and introduced her to peer artists during a stay in England; after that time, Canuso returned to Philadelphia and generated new material for a solo project. The NCDC website has documented this project with writing from Canuso. Canuso received a follow-up grant in 2013 to produce the solo performance work that emerged from her time spent with Houstoun. This will take place during the 2013–14 season of FringeArts’ non-festival programming.
Nichole Canuso and her collaborators created TAKES, an interactive environment that applied the cinematic notion of the “take” to the world of dance.
Acclaimed French choreographer and experimental dancer Boris Charmatz visited Philadelphia for a residency and public presentation of his performance piece for 24 dancers, Levée des conflits (Suspension of conflicts), at Drexel’s Mandell Theater, co-presented by FringeArts, in combination with a series of interpretive programs.
At the February launch of the Center’s new multimedia online publication, A Steady Pulse: Restaging Lucinda Childs, 1963–78, Lucinda Childs and Judy Hussie-Taylor, executive director of Danspace Project, discussed Childs’ career and artistic influences.
Local and international artists came together for a series of concerts and educational programs.
Structural preservation of the Pearl S. Buck House, a National Historic Landmark.
Michelle Heffner Hayes will provide context for the development of flamenco as a technique, its gendered conventions, and the standardization of its norms.
Center-supported performance projects and exhibitions continue to have successful presentations after their initial premieres in our region.
A number of Center-funded performances take the stage this spring.
Professor of jazz drums at the Juilliard School of Music and New York University, Billy Drummond has toured and recorded with a variety of jazz masters.
Daniel Tucker is an artist, writer, and organizer who develops documentaries, publications, and events inspired by his interest in social movements and the people and places from which they emerge.
As a presenting arts organization, the Painted Bride offers a wide range of work in music, dance, spoken word, and theater.
Voloshky Ukrainian Dance Ensemble celebrated its 40th anniversary in 2012 by collaborating with contemporary choreographer Mark Morris on an original Center-funded dance piece.