Bryn Mawr College’s Performing Arts Series presented The Lives of Giants by the Khmer Arts Ensemble from Takhmao, Cambodia, led by choreographer and artistic director Sophiline Cheam Shapiro. Cheam Shapiro’s work sets classical Cambodian dance to themes that move beyond traditional Cambodian literary, mythological, or religious source material. Her dance treatments have been commissioned by Peter Sellars for the Vienna Festival as well as numerous other noted international venues. In the month leading up to the performances of The Lives of Giants, Bryn Mawr hosted a series of free events designed to expand the audience’s knowledge of Cambodian dance, music, and culture. The events included a series of workshops, films, and lecture demonstrations.
Dedicated to supporting and promoting Latin American culture, Raices Culturales LatinoAmericanas produces a variety of community programs and cultural showcases.
Inis Nua produced the North American premiere of Michael West’s play, which incorporates a combination of performance techniques.
Pasión y Arte’s Philadelphia Flamenco Festival will host this film screening of Carlos Saura’s Bodas de Sangre (Blood Wedding), featuring a discussion with Michelle Heffner Hayes.
A number of Center-funded performances take the stage this spring.
Headlong completed a five-month-long research and choreographic project with choreographer Tere O’Connor.
David Ellsworth is a visual artist and a 1999 Pew Fellow.
royal hartigan is a percussionist, pianist, and tap dancer. He has studied and performed the music of Asia, Africa, Europe, West Asia, and the Americas, and is versed in the traditions of African American blues, gospel, funk, hip-hop, and jazz. He served as a Center Performance panelist in 2014 and a Performance LOI panelist in 2015.
Lee Rainie is the director of the Pew Research Center’s Internet Project, a nonprofit, non-partisan “fact tank” that studies the social impact of the Internet.
Directing My Dancers/Directing Myself allowed Nichole Canuso to reevaluate her choreographic practice, mentoring under U.K.-based dancer Wendy Houstoun.
For the past four years, Meg Foley has been inserting unexpected performance into ordinary life with her 3:15 dance project, in which she creates a dance, wherever she is, at exactly 3:15 p.m.
Since 1993, Headlong Dance Theater has created over 40 works under the leadership of founders David Brick, Andrew Simonet, and Amy Smith.
The ICA presents Endless Shout, an interdisciplinary, multi-artist project examining the role of performance in museum spaces.