The Painted Bride Art Center presented Fly: Five First Ladies of Dance, featuring Germaine Acogny, Carmen de Lavallade, Dianne McIntyre, Bebe Miller, and Jawole Willa Jo Zollar. Collectively, these five artists span a huge range of African American dance experience. To amplify the public impact of this project, Painted Bride also initiated a program of interviews with Philadelphia dance artists who work in traditions represented by the guest artists, which are available on a website dedicated to the project. Public events in addition to the sold out performances included line dancing classes; a preshow discussion with dance scholar Brenda Dixon Gottschild about her work on a new Center-funded biography, Joan Myers Brown & The Audacious Hope of the Black Ballerina: A Biohistory of American Performance; and a “behind-the-scenes” intimate conversation with the Fly participants, facilitated by Dixon Gottschild.
Five Pew Fellows have been awarded artist residencies in 2015, supported by the Center’s ongoing partnership with the Alliance of Artists Communities.
Founded in 1969, Kùlú Mèlé African Dance and Drum Ensemble seeks to preserve, present, and build upon the dance and music of Africa and the African Diaspora.
Kun-Yang Lin’s dance company hosted classes with visiting artist Hsu-Hui Huang and incorporated his techniques into a performance at the Painted Bride Art Center.
Susan Rethorst (Pew Fellow, 2014) is an internationally renowned choreographer and teacher of choreography.
Leah Stein choreographed a dance to an original score by Pulitzer Prize-winning composer David Lang that eventually toured to San Francisco.
Jonah Bokaer is a choreographer, media artist, artist space developer, and social entrepreneur whose work integrates choreography with digital media.
Centering on Foley’s improvisational performance practice, action is primary will feature photographic, moving-image, sonic, and written documentation of up to 750 dances, which Foley performs on a daily basis at 3:15 p.m.
Janet Wong became rehearsal director of the Bill T. Jones/Arnie Zane Dance Company in 1996 and associate artistic director in 2006.
Jill Medvedow has been the director of the Institute of Contemporary Art, Boston since 1998.
Poet and 2013 Pew Fellow Emily Abendroth’s poetry encourages readers to discover difficult truths woven into social, cultural, and physical realities.
Five Pew Fellows have been awarded artist residencies in 2014, part of the ongoing partnership between The Pew Center for Arts & Heritage, the Alliance of Artists Communities, and four North American artist residency programs.
FringeArts underwent a major organizational and artistic expansion from June 2011 through May 2013, in order to launch a new visual arts program for its 2013 festival.