People’s Light & Theatre Company of Chester County crosses traditional boundaries of theater by combining artistry with education. The company used a project grant to undertake a long-range plan to align future programming with its mission of integrating art and education. The staff was restructured to create new pathways for projects, including the creation of a new administrative coordinator position to help facilitate this transition. People’s Light partnered with New York’s Epic Theatre Ensemble and the National Theatre of Scotland for two summer institutes, in which the like-minded organizations shared ideas for new arts and education projects and explored new methods of work, to be recorded and shared with others on the People’s Light website. The resulting exploration led to new models of production, which greatly informed the company’s 2013 Center-funded production of A Winter’s Tale.1
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
Eric Tschanz is the president and CEO of Powell Gardens in Kingsville, Missouri.
The Center has awarded $500,000 to Opera Philadelphia, to strengthen the organization’s efforts to respond to the changing nature of its audiences and develop new programs.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents a film by video/performance artist Miles Pflanz and sound artist Kate Levitt, as part of her “Schmart World” series.
The major repository of the art of three generations of Wyeths (H.C, Andy, and Jamie), and steward of hundreds of acres of land where the artists worked, the Brandywine Museum is a national treasure.
Yoshitomi, chief knowledge officer of MeaningMatters, LLC, responds to a few questions around “Pro-Am” and how cultural organizations engage with their communities and potential audiences.
Mufulu Kingambo Gilonda is a dance artist and a 2004 Pew Fellow in folk and traditional arts.
Opera Philadelphia built an institutional research and development program, which has led to new partnerships and artistic collaborations with international opera companies and performers.
AUX Curatorial Fellow Jamillah James has organized an evening of performances by Colin Self and M. Lamar.
Barbara Bullock is a painter and a 1997 Pew Fellow.
Tom Schorgl has been president and CEO of the Community Partnership for Arts and Culture since its inception in 1997.
Member-run artist collective Vox Populi will launch a curatorial fellowship program dedicated to performance art, hosting five curatorial fellows in total over a period of two years.