Bartram’s Garden’s new nursery propagates and promotes native plants, including some first discovered by the Bartram family, the founders of what is now a 45-acre National Historic Landmark. In a fundamental shift from simply telling the history of the property in show-and-tell tours, the nursery now provides hands-on experiences for visitors—a return to Bartram’s Garden’s roots as a botanic garden where plants are collected, grown, and shared. Grant funds supported the hiring of a nursery manager who leads volunteer and public programs. These programs are designed to connect meaningfully with core audiences and members, and to encourage them to take an active role in sustaining the nursery’s plant life. The grant also supported the construction of a nursery, the revitalization of the Bartram’s Garden website, and volunteer engagement with the new nursery materials. In its first year, over 1,200 plants were propagated in the nursery, many for sale at the site and at local farmers’ markets. Bartram’s saw significant increases in online and onsite visitation, as well as new partnerships with the Pennsylvania Horticultural Society and the Urban Nutrition Initiative.1
Wyck will evaluate its current programming in advance of writing a new business plan that results in audience-centered programs with the potential to attract new visitors.
The Wagner Free Institute of Science is is a natural history museum dedicated to providing free public education in science.
Glen Weldon is a writer and a 1994 Pew Fellow.
Pig Iron Theatre Company’s Center-funded School for Advanced Performance Training was featured in the Philadelphia Inquirer.
WHYY is the region’s leading public media company and PBS/NPR member station serving one of the nation’s top 10 markets, with more than 2.9 million households in the 5-county greater Philadelphia region, the State of Delaware, and all of Southern New Jersey.
Joseph C. Thompson has spearheaded the creation of MASS MoCA from its beginnings in 1987 to its realization in 1999.
FringeArts presented Lucinda Childs’s Dance at its 2010 festival and organized a film series about the life and career of Childs and collaborator Philip Glass.
In August 2011, the Philadelphia Inquirer hailed Opera Philadelphia’s transformation as a “haven for new opera.”
In the third and final segment of our three-part conversation with Center Visiting Artist Ain Gordon, he gives us a glimpse of how he has entered into conversations at the Center and proposed alternative possibilities for our approach to our work.
Brooklyn-based performers Liftig and Cleary present an evening of performance rooted in comedic and ecstatic engagements of the everyday.
Trevor Carlson was named a trustee of the Merce Cunningham Trust in May 2011. He began working at the Cunningham Dance Foundation in 1998 and became executive director in 2005.
The Painted Bride Art Center presented the Philadelphia debut of the Dave Holland Big Band in a program featuring new works by the eponymous bassist and composer.