As the Philadelphia Folklore Project (PFP) faced a major institutional turning point with the planned retirement of its founder and longstanding director, it developed a strategic plan for 2012–16 that mapped out a path for leadership transition and developed new programming models for the future. As part of the process, PFP interviewed local and national peers in the fields of folklore, community arts, and grassroots activism, and used the data gained from those surveys to design three planning gatherings. The discussions at these gatherings, which involved PFP staff, board members, artists, and audience members, investigated the potential of PFP’s past work and focused on ideas around community and cultural development, education, and documentation. They formed the basis for a strategic plan that includes clear transition steps, fleshed-out descriptions of staff skills and responsibilities, and new ideas for fundraising and integration of new media. The plan became the basis for a 2013 Project Grant, which will implement the succession plan and launch PFP’s new project, the Folklore Congress.1
Vox Populi and AUX Performance Space will host Ann Hirsch and Jacolby Satterwhite in conversation, organized by AUX Curatorial Fellow Jamillah James.
New Paradise Laboratories is an experimental performance ensemble that explores radical means to bend conventional ideas of theater.
Conductor Gil Rose’s dynamic performances and many recordings have garnered international critical praise. In 2012, he assumed the position of artistic director of Monadnock Music.
A two-part concert program, with a live talk show hosted by Live from Lincoln Center’s Fred Child and an accompanying studio recording, will offer a renewed perspective on the artistic legacy of baroque composer Georg Philipp Telemann.
Bristol Riverside Theatre created a managing director position, which led to audience growth and greater revenues.
In fall 2011, the Association for Public Art was featured in USA Today Travel as “the main reason Philadelphia is now said to have more public art than any other city.”
Tobin Rothlein is a dance artist and a 2006 Pew Fellow.
Robert Mealy is director of the Historical Performance Program at The Juilliard School, a professor at the Yale School of Music, orchestra director for the Boston Early Music Festival, and co-director of the 17th-century ensemble Quicksilver.
Vincent D. Feldman is a visual artist and a 2001 Pew Fellow.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents a film by video/performance artist Miles Pflanz and sound artist Kate Levitt, as part of her “Schmart World” series.
The Conservation Center for Arts & Historic Artifacts is one of the country’s largest non-profit conservation labs.
On March 23, 2012, The Pew Center for Arts & Heritage hosted Alan Brown of WolfBrown, and Brad Erickson and Clayton Lord of Theatre Bay Area, for an event that presented an important national study on the “intrinsic impact” and value of the arts.