The Bryn Mawr College Performing Arts Series presented Susan Rethorst: Inquiring Mind/Choreographic Mind, a retrospective that introduced local audiences to Rethorst’s work, which is largely unknown outside New York City and Europe, and yet has influenced multiple generations of contemporary dance artists. In addition to new iterations of Rethorst’s past work, including the critically acclaimed Behold Bold Sam Dog, and the premiere of 208 East Broadway Part 5, the project featured a series of public events, including group discussions, master classes, and workshops with local artists and audiences, all of which provided unique windows into Rethorst’s methodology. Danspace Project’s Judy Hussie-Taylor curated a “day of dance” focusing on Rethorst’s career and featuring conversations, installations, and other events. Guest artists across the project period included Big Dance Theater, David Gordon, Douglas Dunn, Anne Waldman, Claudia LaRocco, and Elizabeth Streb. Rethorst is a 2014 Pew Fellow.
Julie York is a visual artist and 2007 Pew Fellow who works in porcelain, glass, and plastic, and whose practice is driven by the industrial process.
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Director of Three Aksha School of Performing Arts, Rao is trained in Bharatanatyam, a classical South Indian dance form marked by expressive hand gestures and elaborate rhythmic patterns.
Sam Miller is the former president of the Lower Manhattan Cultural Council, and currently serves on the Board of Amrita in Phnom Penh. He served as a Center dance panelist and LOI panelist in 2013, Pew Fellowships evaluator in 2014, and Pew Fellowships Panel Chair in 2015.
Eric Johnson is a librarian by training, currently serving as head of innovative media at the VCU Libraries of Virginia Commonwealth University.
In 1998 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 52 dance, music, theater, and visual arts organizations in the greater Philadelphia region.
The Institute on Disabilities at Temple University was established in 1974 and works to advance the full societal inclusion of people with intellectual disabilities and their families.
Patricia Lent of the Merce Cunningham Trust, theater-maker Richard Schechner, and video/installation artist Sharon Hayes gather to discuss the question of reenactment in cultural practice, with UC Berkeley professor Shannon Jackson as moderator.
What inspires our imaginations and catalyzes our creativity? As we bid farewell to 2014, we asked members of our cultural community to share something that inspired them this year.
Center-supported performance projects and exhibitions continue to have successful presentations after their initial premieres in our region.
Jenny Gersten is producing consultant for the Performing Arts Center at the World Trade Center in New York.
Poet, critic, and teacher Claudia La Rocco addresses the question “Should we dance in museums?” She argues that dance must be “contextualized in a larger curatorial framework.”