Painted Bride Art Center presented the seminal duets of Bill T. Jones and the late Arnie Zane—challenging, autobiographical works that launched their careers and remain some of the most significant examples of postmodern dance to date. Body Against Body traced the history of these major figures, reflecting on their powerful collaborative vision and chemistry. The duets, which tell the story of the duo’s relationship, shed light on the cultural and social issues of the 1980s, when they were first presented. Body Against Body explores issues of gender, race, and politics and remains relevant to contemporary art makers and audiences. The Bride first presented Bill T. Jones’ work more than 30 years ago. The program included a restaged Blauvelt Mountain and Monkey Run Road—two duets from an original trilogy, which according to dance critic Elizabeth Zimmer, “retain their brilliance and intensity.” A three-channel video installation by the company’s associate artistic director Janet Wong, which was also on view at the Painted Bride, juxtaposed footage from the original performance of Blauvelt Mountain with various reconstructions over time, featuring dancers of varying size, gender, and ethnicity. Jones, a Tony Award-winning choreographer, participated in a pre-show discussion with Lois Welk, focused on the cultural contexts behind the works and the importance and challenges of their restaging.
Barbara A. Campagna has worked for the past 25 years as an architect, planner, and historian, reinventing and restoring historic and existing buildings.
Since 1993, Headlong Dance Theater has created over 40 works under the leadership of founders David Brick, Andrew Simonet, and Amy Smith.
Pattie McCarthy, a 2011 Pew Fellow, has established herself as a serious and ambitious young poet with a strong sense of language and tradition.
The Academy of Vocal Arts is focused on rigorous instruction and coaching for young opera artists, and presentations of resident artists from around the world.
Kate Watson-Wallace is a Philadelphia-based choreographer, 2007 Pew Fellow, and the co-director of anonymous bodies.
A number of Center-supported performances take the stage this summer, including seven new musical commissions by The Crossing and the world premiere of Pablo Batista’s music and dance production El Viaje (The Journey).
The Crossing premiered new compositions by Gabriel Jackson (England), Kamran Ince (Turkey/United States), and Eriks E¡envalds (Latvia) as part of its Month of Moderns festival of contemporary music.
Philadelphia choreographer Nichole Canuso presents a solo performance, originally Center-funded, that uses personal reminiscences and universal yearnings to explore the relationship between memory and self.
Promoting cultural exchanges between Ukrainians and the global community, Voloshky Ukrainian Dance Ensemble seeks to represent the country’s culture through dance.
The Painted Bride Art Center commissioned an evening-length work by choreographer Cynthia Oliver, who also participated in a weeklong residency of workshops and film screenings.
Bowerbird, in cooperation with the 2011 FringeArts Festival, presented the American premiere of More Mouvements für Lachenmann, and held workshops with choreographer Xavier Le Roy.
Master improviser, classical conductor, and 10-time Grammy Award winner Bobby McFerrin is recognized for his extraordinary vocal range and technique.