The Curtis Institute of Music is offering a new independent study course to its students, called the Community Engagement Program, designed to aid its gifted young musicians in creating innovative approaches to classical music performance. As the classical music field becomes increasingly competitive and audiences shrink in size, Curtis’ program underscores the importance of creativity and entrepreneurial skills, and aids students in forging new pathways to professional success. Each semester, a number of students are given opportunities to carry out a unique project from conception to execution. They are working closely with mentors in the field, including two-time Grammy Award-winning ensemble eighth blackbird, which has long been a leader in testing new models to present classical music. After a four-year period, Curtis expects that over half of its students will have participated in this program, and that the ideas generated will prove influential to Curtis’ performances and curriculum. The institute will also survey audiences about their experiences at these performances, taking constituent feedback into account for the first time.1
In August 2011, the Philadelphia Inquirer hailed Opera Philadelphia’s transformation as a “haven for new opera.”
Linda Shearer has been the Executive Director of Houston’s Project Row Houses since 2009.
Tempesta di Mare implemented a three-year plan, which addressed new artistic opportunities for the orchestra, including a recording contract and social media expansion.
Pulitzer Prize-winning playwright Paula Vogel’s current playwriting project is a Center-funded commission for Philadelphia’s Wilma Theater, based on Don Juan Returns from the War.
With support from the Center, the Arden has integrated visually dazzling video design into live productions and enhanced its work for young audiences.
Andrew McIntyre visited the Center in summer 2012 for a day of workshops on visitor behavior and new approaches to engaging arts audiences in the 21st century.
Fleisher Art Memorial is a community arts organization dedicated to the ideal that people of all ethnicities and socioeconomic backgrounds have a right to experience art.
Lily Yeh is a sculptor and a 1992 Pew Fellow.
Opera Philadelphia built an institutional research and development program, which has led to new partnerships and artistic collaborations with international opera companies and performers.
Elisabeth Sussman is curator and Sondra Gilman Curator of Photography at the Whitney Museum of American Art. Most recently, she co-curated the 2012 Whitney Biennial.
In the first segment of a three-part conversation between Center Visiting Artist Ain Gordon and Center Executive Director Paula Marincola, they discuss Gordon’s role as a conduit between the Center and its grantees.
Joseph C. Thompson has spearheaded the creation of MASS MoCA from its beginnings in 1987 to its realization in 1999.