Gabrielle Revlock developed a new dance-theater work with past collaborator Nicole Bindler. Their previous collaboration, I made this for you (2011), culminated in a circus of acrobats, tap artists, and break dancers. The duo responded to footage of that production in a live performance that explored the nature of creative collaboration, as well as themes of gender, competition, and spectacle. Jane Comfort, an award-winning choreographer known for combining language and movement, served as mentor. In addition, Barrymore Award winner Brett Cassidy coached the dancers in fight choreography, to physicalize the push and pull of the collaborative process. Revlock and Bindler offered free “dancercise” classes to the public, introducing local “dance enthusiasts” to the notion of dance as a performing art, and to include participants in a working “laboratory” where choreographic ideas and discoveries emerged during the development of The Dance Apocalypse. Revlock was a first-time Center grantee.
Dove encourages artists to dance in unusual places. Why? Out of necessity, he says.
Dance artists Megan Mazarick, Shavon Norris, and Meredith Rainey created new works in residency at the Community Education Center.
Pasión y Arte’s 2014 Flamenco Festival was featured in the Philadelphia Inquirer, the CBS Philly website, and on WRTI.
Natasha Bakht is an Indian contemporary dancer and choreographer. In 2015, she was a panelist in Performance.
Bryn Mawr College’s Performing Arts Series presented a month of free events to expand audience’s knowledge of Cambodian dance, music, and culture that culminated in a performance of The Lives of Giants by the Khmer Arts Ensemble.
Brenda Dixon Gottschild’s Center-supported book on Joan Myers Brown received a great deal of media attention upon its release.
Founded in 1982, the Chemical Heritage Foundation fosters an understanding of chemistry’s impact on society.
Composer Phil Kline and choreographer Wally Cardona presented a new site-specific work at the Metropolitan Opera House.
Pew Fellow Raphael Xavier takes his Center-supported autobiographical dance, The Unofficial Guide to Audience Watching Performance, to Chicago.
Hip-hop dancer and Pew Fellow Raphael Xavier talks about how performing on the street differs from performing on stage.
Bryn Mawr College presents an open studio lecture and demonstration with Trisha Brown Dance Company members, Pennsylvania Ballet dancers, and choreographer Stephen Petronio
Gottschild conducted research for her book chronicling the life of African American ballerina Joan Myers Brown.