Gabrielle Revlock developed a new dance-theater work with past collaborator Nicole Bindler. Their previous collaboration, I made this for you (2011), culminated in a circus of acrobats, tap artists, and break dancers. The duo responded to footage of that production in a live performance that explored the nature of creative collaboration, as well as themes of gender, competition, and spectacle. Jane Comfort, an award-winning choreographer known for combining language and movement, served as mentor. In addition, Barrymore Award winner Brett Cassidy coached the dancers in fight choreography, to physicalize the push and pull of the collaborative process. Revlock and Bindler offered free “dancercise” classes to the public, introducing local “dance enthusiasts” to the notion of dance as a performing art, and to include participants in a working “laboratory” where choreographic ideas and discoveries emerged during the development of The Dance Apocalypse. Revlock was a first-time Center grantee.
Silvana Cardell is a choreographer, dancer and, educator, whose choreographic impulses are defined by her experience as an Argentine expatriate living, working, and raising a family in the United States.
This month in Fellows Friday news: Alex Da Corte prepares for a major exhibition at ICA Philadelphia, and new albums from Orrin Evans, Mary Lattimore, and Chris Forsyth have generated buzz. We also say goodbye to jazz violinist John Blake, Jr.
David Allison is manager of onsite programs at the Denver Museum of Nature and Science, where his most recent projects include writing and developing a multimodal show on the science of flight.
A number of Center-funded performances take the stage this spring.
The Slought Foundation is a small and dynamic organization with great ambitions, founded in 2002 to present art projects and lectures from a storefront in University City.
Brenda Dixon Gottschild’s Center-supported book on Joan Myers Brown received a great deal of media attention upon its release.
Choreographer Silvana Cardell’s Supper, People on the Move travels to the experimental theater La MaMA in New York City, as part of the 2016 La MaMa Moves! Dance Festival.
Philip Bither has been the Walker Art Center’s senior curator of performing arts since 1997.
For Shelf Life, the Center invited artists, curators, and designers to use the books in our library for curated displays on subjects of their choosing.
This multidisciplinary chamber opera for mezzo-soprano Sasha Cooke and string quartet will focus on the experience of childhood and feature a mechanical, electronic sound-generating sculpture that will grow from a small music box into a seven-foot tall object as the performance unfolds, creating a riveting visual and musical experience.
Melanie Stewart Dance Theatre creates performance with a focus on devised work that often includes forays into pop culture, political satire, and the human condition.
Robert Crowder (1930–2012) was the founder of Kùlú Mèlé African Dance and Drum Ensemble and a 2004 Pew Fellow in folk and traditional arts.