The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
Melanie Bilenker (Pew Fellow, 2010) translates the historic art of Victorian hair jewelry into work that reflects upon the contemporary era.
The Philadelphia Chamber Music Society serves the Greater Philadelphia region and the field of music by presenting a rich and compelling variety of chamber music and recital programs performed by exceptional international and Philadelphia-based artists at affordable prices.
As a presenting arts organization, the Painted Bride offers a wide range of work in music, dance, spoken word, and theater.
Jenelle Porter is senior curator at the Institute of Contemporary Art/Boston. Prior to that, she curated at Artists Space in New York and the Institute of Contemporary Art, Philadelphia.
Leeway Foundation Executive Director Denise Brown leads a conversation with performance artist, director, and Re- Place-ing Philadelphia leader Marty Pottenger.
Odean Pope is a saxophonist and composer, and a 1992 Pew Fellow.
We asked Oliver, a choreographer and dance professor, “Should we dance in museums?”
One of three contemporary music ensembles in the United States that can scale up to a full chamber orchestra, Orchestra 2001 has presented over 80 world premieres.
The Academy of Vocal Arts is focused on rigorous instruction and coaching for young opera artists, and presentations of resident artists from around the world.
Speakers Rudresh Mahanthappa, Greg Osby and Matthew Levy share their thoughts on record production and establishing artistic identity.
InterAct Theater Company began strategic and business planning processes in order to pursue new areas of programming focused on collaboration with other theaters.
WXPN’s yearlong project explores the origins and evolution of zydeco, a form of African-American roots music that blends Creole traditions, blues, and R&B.
In 2005 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 66 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Kate Fowle is the chief curator for the Garage Center for Contemporary Culture in Moscow and director-at-large at Independent Curators International in New York.
As part of her Carnegie International project, Zoe Strauss is taking portraits of the residents of Homestead, PA. Plus, news on Brian Phillips, Frank Sherlock, Kinan Abou-Afach, Matthew Cox, Jay Kirk, and more.
Uri Caine is an award-winning composer and pianist, and a 2003 Pew Fellow.
Opera Philadelphia will develop the American Repertoire Council, a national advisory body charged with assessing and deconstructing the company’s process for creating new operatic works.
On March 27, 2011, playwright and actress Anna Deavere Smith spoke at a Center-hosted event at the Philadelphia Theatre Company about the evolution of her one-woman show.
Supported by the Center, the country’s first-ever queer jazz festival will address intersections of sexual orientation, gender identity, and jazz music, and will take place September 18–21, 2014.
The Wire features Charles Cohen, Zoe Strauss: Ten Years travels to the International Center for Photography, and Jenn McCreary’s new chapbook of poems. Plus, news from Brian Phillips, Orrin Evans, and William Earle Williams.
Philadelphia Mural Arts Program created a director of strategic planning and partnerships position, charged with leading strategic initiatives and forging new organizational partnerships.
James Primosch is a composer and a 1996 Pew Fellow.
A 2002 MacArthur Fellow and early member of the Association for the Advancement of Creative Musicians, George Lewis is the Edwin H. Case Professor of American Music at Columbia University.
Peggy Baker is one of Canada’s most treasured modern dancers and choreographers, and the artistic director of Peggy Baker Dance Projects.
Michelle Heffner Hayes will provide context for the development of flamenco as a technique, its gendered conventions, and the standardization of its norms.