The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
The Pew Center for Arts & Heritage announced its 2014 grants in support of Philadelphia’s arts and cultural community today. They include 12 new Pew Fellowships of $60,000 each, 35 project grants in amounts up to $300,000, and two Advancement grants of $500,000 each.
People’s Light & Theatre Company undertook a long-range plan to align future programming with its mission of integrating art and education.
Opera Philadelphia presented the American premiere of Hans Werner Henze’s Phaedra (2007).
The Kimmel Center, Inc., best known as a presenting organization and home of the Philadelphia Orchestra, Opera Philadelphia, and the Pennsylvania Ballet, is one of the most well-attended cultural venues in Philadelphia.
The world premiere of a new chamber opera by composer-in-residence Missy Mazzoli and librettist Royce Vavrek, inspired by the 1996 film by Danish auteur Lars von Trier, will tell the harrowing tale of a naive newlywed who has chosen to marry outside of her strict Calvinist community in coastal Scotland.
Founded in 1982, Choral Arts Philadelphia has performed nearly 300 works by more than 100 composers.
Sandra Brownlee is a weaver and a 1992 Pew Fellow.
Eric Jacobsen, a conductor and cellist hailed by The New York Times as “an interpretive dynamo,” has built a reputation for engaging audiences with innovative and collaborative projects. In 2015, Jacobsen served as a Performance LOI panelist.
The Wilma Theater creates living, adventurous art through bold and ambitious design choices.
The Pew Center for Arts & Heritage is pleased to share our new project grant application guidelines for the 2015 grant cycle.
Curtis will design and implement a new curriculum that provides graduates with the entrepreneurial and business skills necessary to forge effective careers within the rapidly changing classical music field, including coaching in how to produce, promote, and present their own music in innovative ways.
Composer Judd Greenstein speaks to the question of changing audience expectations and how the growing gap is playing out between the techno-multitasking of our daily lives and the prolonged attention required of concert settings.