The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
This exhibition, the first major survey of Kasten’s work, seeks to broadly situate her legacy in relationship to contemporary art, beyond a strictly photographic history.
The PRISM Quartet presents the world premiere of new works composed and performed by Steve Lehman and Rudresh Mahanthappa.
This month in Fellows Friday news: Jamaaladeen Tacuma has been named as a 2014 Civitella Ranieri Foundation Fellow in residence, the 2013 Pew Fellow poets read at San Francisco State University, and much more.
Choreographer Amanda Miller collaborated with Cheam Shapiro in Takhmao, Cambodia to research the intersection of classical Cambodian dance with her western classical ballet training.
Painted Bride Arts Center presented four public performances that featured repertoire developed during a 10-month collaboration between the Spoken Hand Percussion Orchestra and Philip Hamilton’s Voices.
Born in Venezuela, Kotain works with various Philadelphia-area nonprofit cultural organizations to teach others about his Arab and Latin musical traditions.
Michael Orlove currently serves as the director of artist communities and presenting & multidisciplinary works for the National Endowment for the Arts and has responsibility over the NEA’s international programs.
The Philadelphia Singers is a professional choral ensemble with a commitment to preserving and strengthening America’s rich choral heritage.
Susan Stewart is a poet and a 1995 Pew Fellow.
The Pew Charitable Trusts announces a new culture funding strategy, placing The Pew Center for Arts & Heritage at the heart of its support for culture in the Philadelphia region.
In 2001 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 57 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Robert Mealy is Director of the Historical Performance Program at The Juilliard School, a professor at the Yale School of Music, Orchestra Director for the Boston Early Music Festival, co-director of the 17th-century ensemble Quicksilver, and one of the most prominent Baroque violinists in the US. In 2015, Mealy served as an LOI panelist in Performance.