The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
The Philadelphia Chinese Opera Society (PCOS) is the only organization in the Philadelphia region devoted to the study, teaching, and performance of Beijing opera.
Francesca Herndon-Consagra is the senior curator of prints and drawings and European paintings at the Blanton Museum of Art, University of Texas at Austin.
As part of its Then and Now: Jazz Cubano series, Montgomery County Community College’s Lively Arts Series hosts the Omar Sosa Afri-Lectric Experience.
The highlight of a year-long 25th anniversary celebration, Sruti presented two concerts that explored the confluence of Hindustani and Carnatic classical music.
The Philadelphia Singers is a professional choral ensemble with a commitment to preserving and strengthening America’s rich choral heritage.
James Primosch is a composer and a 1996 Pew Fellow.
Opera Philadelphia presented the East Coast premiere of a new opera by composer Kevin Puts and librettist Mark Campbell, which went on to win the 2012 Pulitzer Prize for music.
Ben Young is a music researcher and radio host. Twenty years on the air at Columbia University’s WKCR have included continuing in-depth study of the avant-garde jazz of the 1960s.
Performance Senior Specialist Jeff Arnal looks to Philadelphia experimental trio Many Arms as he explores how musical groups form collective sounds.
Tenor Vinson Cole has sung at most major opera houses across the globe, and worked with many of the world’s leading orchestral conductors.
Known for innovation, creativity, and preservation of African-American traditions in dance, Philadanco has been dancing in the Philadelphia community since 1970.
Dan Rothenberg is a theater artist, a founding member and co-artistic director of Pig Iron Theatre Company, and a 2002 Pew Fellow.
Choreographer Lucinda Childs visits Philadelphia to recover dances she choreographed in the 1960s and ’70s.
Marianela Boan incorporated a wide range of movement styles and media forms to create Office, the basis for a piece that was presented during the 2010 FringeArts festival.
Orrin Evans (Pew Fellow, 2010) never stops thinking about the traditions and evolution of jazz music, as well as renewing jazz’s legacy in the African-American community.
Theatre Exile presents a staged reading of their work-in-progress play about Philadelphia political figure Frank Rizzo.
Blues and African-American folk music specialist David H. Evans is a professor of music at the University of Memphis.
Avital Ronell is the author of numerous substantial works and one of the major forces in contemporary literary criticism and philosophy.
The Mann Center for the Performing Arts presents a diverse range of programming in a beautiful park setting.
“What is an author?” It is a question the composer George Lewis asks, via Foucault, in his keynote essay for our new Questions of Practice section on co-authorship in artistic practice.
In 2004 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 76 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Bowerbird produced a multi-day festival featuring works composed by Morton Feldman, as well as programs presented with the Philadelphia Museum of Art and the Rotunda.
Supported by The Pew Center for Arts & Heritage, the Mendelssohn Club of Philadelphia celebrates their 140th season with the North American premiere of Felix Mendelssohn’s 1841 revision of Johann Sebastian Bach’s St. Matthew Passion.
David Vaughan, who served as the archivist of the Cunningham Dance Foundation, gave this address to the Dance Critics Association at Dance New Amsterdam in June 2007.
Choreographer Ronald K. Brown discussed his 2012-2013 Center-funded residency with Kùlú Mèlé African Dance & Drum Ensemble.
The Object Lesson works in the margins between theater and visual art installation, between audience and actor. Since its premiere at the Edinburgh Fringe Festival, The Object Lesson has received extensive praise, and was named a “Fringe First.”