The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
Additional unrestricted funds are added to each grant for general operating support.
Todd Noe is a sculptor and a 1996 Pew Fellow.
Rudolf Staffel (1911–2002) was a ceramist and a 1996 Pew Fellow.
One of three contemporary music ensembles in the United States that can scale up to a full chamber orchestra, Orchestra 2001 has presented over 80 world premieres.
Philadelphia Young Playwrights assists students in Philadelphia area schools with telling their stories through theater.
We recap our recent gathering of Fellows, Rebecca Rutstein is selected for an “Artist-at-Sea” residency with the Schmidt Ocean Institute aboard the Falkor research vessel, and musicians Mary Lattimore and Chris Forsyth release new albums.
Ars Nova Workshop presented a concert series featuring music by composers and multi-instrumentalists Henry Threadgill and Roscoe Mitchell, champions of avant-garde jazz.
In March 2005, The Pew Center for Arts & Heritage invited choreographer and dance artist Wendy Rogers to lead a presentation and town hall discussion for dance makers and cultural practitioners.
Laynie Browne’s (Pew Fellow, 2014) poetry explores notions of silence and the invisible, through the re-contextualization of poetic forms.
In this month’s Pew Fellows news highlights, photographer Emmet Gowin shows his work at the Morgan Library and Museum, and jazz pianist Matt Mitchell and choreographer Susan Rethorst are awarded Doris Duke Impact Awards. Bassist Jamaaladeen Tacuma will pay tribute to the late Ornette Coleman, and visual performance artist Kate Watson-Wallace gives an interview on the evolution of her practice.
Hema Rajagopalan is a bharata natyam dancer, teacher, and choreographer, and the founder and artistic director of Natya Dance Theatre, a professional touring company and school that has specialized in bharata natyam for the past 40 years. Rajagopalan served as a 2015 LOI panelist in Performance.
Informed by first-person accounts of the Women, Infants, and Children (W.I.C.) nutritional assistance program, this mobile exhibition and series of public programs will explore the lived experience of welfare and expand the Philadelphia Public History Truck’s programmatic focus.
The William Way LGBT Community Center presents OutBeat: America’s First Queer Jazz Festival. The four-day festival will highlight intersections between sexual orientation, gender identity, and jazz history and culture.