The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with PARTCH, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
Jazz artist Peter Brötzmann offers a solo performance inspired by the German Society’s Horner Library.
Flamenco dancer Pastora Galván performs in this self-titled work, choreographed by her brother, Israel Galván.
The Academy of Vocal Arts produced French composer Jules Massenet’s opera in recognition of the centennial of his death.
Dancer and choreographer Ronald K. Brown is the founder of Brooklyn-based contemporary dance ensemble Evidence, A Dance Company.
Travis Preston is dean of the California Institute of the Arts (CalArts) School of Theater and artistic director of the CalArts Center for New Performance.
In part I of this short, two-part interview between Tate Modern curator Catherine Wood and choreographer Jérôme Bel, they discuss the concept of “theatricality.”
Ethnomusicologist Robert Garfias is professor of anthropology at the University of California, Irvine.
During its run from September 18-21, the OutBeat Festival sparked conversation and was featured across numerous new outlets.
For over 25 years, Network for New Music has been dedicated to commissioning and performing music by living composers.
Located in Chinatown North in Center City Philadelphia, Asian Arts Initiative fosters social change through art.
Trevor Carlson was named a trustee of the Merce Cunningham Trust in May 2011. He began working at the Cunningham Dance Foundation in 1998 and became executive director in 2005.
This event features saxophonists/composers Mahanthappa and Lehman, and WNYC’s John Schaefer, as they address the unique challenges of collaborating across genres.
Bobby Zankel is a musician and a 1996 Pew Fellow.
In 2003 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 63 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Thomas J. Lax was appointed associate curator of media and performance art at the Museum of Modern Art in May 2014. For the previous seven years, he worked at the Studio Museum in Harlem.
A classical music composer and pianist, Michael Djupstrom (Pew Fellow, 2014) seeks to connect with audiences by bridging traditional and contemporary styles of musical expression.
At its 2013 festival, FringeArts presented a new composition by New York-based ensemble So Percussion, an experimentation in combining musical composition with theatrical improvisation.
The Crossing presented its second festival of contemporary choral music featuring commissioned works by Lansing McLoskey, Paul Fowler, and Pulitzer Prize winner David Lang.
Ballet répétiteurs such as Ruanne work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
Opera Philadelphia seeks to create productions of classic and new operatic works that assemble the finest international creative artists.
Leah Stein’s Center-funded project Battle Hymns, set to an original score by Pulitzer Prize-winning composer David Lang, was remounted in San Francisco in the spring of 2013.
The Philadelphia Chinese Opera Society (PCOS) is the only organization in the Philadelphia region devoted to the study, teaching, and performance of Beijing opera.
Thaddeus Phillips’ original musical Red-Eye to Havre de Grace, which originally debuted in Philadelphia with Center support, has received a massive amount of positive critical attention for its Off-Broadway debut.
The award-winning choreographer’s striking approach was exemplified in Artifact Suite, which received its Philadelphia premiere with Pennsylvania Ballet in June 2013 performances.
Built on a foundation of public dialogue and interaction, the Re-Place-ing Philadelphia project will use art as a lens for viewing the city and its history.
Thomas Devaney (Pew Fellow, 2014) considers poetry an act of exploration. His work is a lyric evocation of, and meditation upon, remembered people, places, his native city of Philadelphia, and the passage of time.