The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
Additional unrestricted funds are added to each grant for general operating support.
The Philadelphia Inquirer reviewed the latest presentation in The Crossing’s Month of Moderns festival, The Gulf (between you & me).
Lucinda Childs is one of America’s most important modern choreographers and an original member of the Judson Dance Theater in New York.
Since 2006, Kinshasha Holman Conwill has served as deputy director of the National Museum of African American History and Culture, the Smithsonian Institution’s newest museum, scheduled to open in 2015.
Philadelphia choreographer Nichole Canuso presents a solo performance that uses personal reminiscences and universal yearnings to explore the relationship between memory and self.
In 1997 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 46 dance, music, and theater organizations in the greater Philadelphia region.
Laura Connelly, director of presentations for the Los Angeles Philharmonic Association since 2007, oversees all non-classical presentations at the Hollywood Bowl and Walt Disney Concert Hall.
Founded in 2013 by Michał Zadara, Centrala is a theater company based in Warsaw, Poland.
Visiting Scholar Kristy Edmunds asks independent curator Claire Tancons about the process of earning trust and credibility in a community.
Deborah Wong, ethnomusicologist, is the chair of the department of music at the University of California, Riverside.
Director Romeo Castellucci’s work returns to Philadelphia with The Four Seasons Restaurant, which uses the infamous unfulfilled Mark Rothko commission as a jumping-off point to explore the impact of absence on the human psyche.
Classically trained on the harp since age 11, Mary Lattimore (Pew Fellow, 2014) incorporates experimental techniques and technologies into her music, thereby extending the conventions of her instrument.
thINKingDance writer Carolyn Merritt reported on Pasión y Arte’s highly successful First Philadelphia Flamenco Festival with Rosario Toledo.