The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
Additional unrestricted funds are added to each grant for general operating support.
“The pulsating energy that we get from drums have a way of connecting us to everything else in the universe,” says Nana Korantema Ayeboafo, a 2008 Pew Fellow.
In 2001, saxophonist and Pew Fellow Bobby Zankel founded the Warriors of the Wonderful Sound, a big band to perform his compositions and arrangements.
Thomas Devaney (Pew Fellow, 2014) considers poetry an act of exploration. His work is a lyric evocation of, and meditation upon, remembered people, places, his native city of Philadelphia, and the passage of time.
Francine Prose is the author of many works of fiction, including Blue Angel, which was a finalist for the 2000 National Book Award.
Two-time winners of the Chamber Music America/ASCAP Award for Adventurous Programming, PRISM Quartet has become known as one of the foremost chamber ensembles.
Piffaro, the Renaissance Band, produced two programs that explored contrasts among Iberian musical cultures in the mid-17th century.
Montgomery County Community College presented a series of concerts and programs focusing on the Afro-Cuban influence in jazz.
Taking Harbison’s Songs American Loves to Sing as inspiration, Philadelphia composers layer jazz and classical traditions to create works that tell America’s story with today’s voices.
Thaddeus Phillips’ new bilingual performance work for theater, inspired by his experience working on Colombian telenovela Alias El Mexicano, premieres as part of the 2015 Fringe Festival.
A number of ongoing and recently completed Center-funded projects have filled theater houses and garnered extensive media coverage.
The Arden Theatre Company launched a playwright residency program that gives audiences behind-the-scenes access to the creative process of a theater production.
With support from the Center, the Arden has integrated visually dazzling video design into live productions and enhanced its work for young audiences.