The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
The Philadelphia Chapter of the American Composers Forum is committed to supporting local composers and developing new markets for their music.
The PRISM Quartet presents new works composed and performed by Tim Ries and Miguel Zenón.
Don Byron, a jazz performer and composer, is the recipient of a Guggenheim Fellowship, a United States Artist Fellowship, and a Rome Prize for Composition.
People’s Light seeks to entertain, inspire, and engage its surrounding community. The company’s seasons include classic, modern, and family plays, from Aeschylus’s The Persians to Horton Foote’s Dividing the Estate to the annual Winter Panto.
The Philadelphia Inquirer, NewsWorks, and other outlets feature the Arden’s current production and the company’s unique approach to staging a Chekhov masterpiece.
Bill T. Jones is an artist, choreographer, dancer, theater director and writer, as well as the founder of Bill T. Jones/Arnie Zane and executive artistic director New York Live Arts.
New Paradise Laboratories’ The Adults is a truly collaborative theater piece, exploring the not-so-hidden darkness of human nature and its impact on the natural world. Since its world premiere at Painted Bride Art Center on September 3, The Adults has received rave reviews.
Classical Arab musician Kinan Abou-afach (Pew Fellow, 2013) was born in Damascus, Syria, where he learned traditional Arabic repertoire on the oud, an Arabic lute.
In order to examine the difficult topic of addiction and its consequences, Pushers uses celebrity culture as its lens, as a way to connect with West Philadelphia youth and encourage them to share their own experiences.
The highlight of a year-long 25th anniversary celebration, Sruti presented two concerts that explored the confluence of Hindustani and Carnatic classical music.
Pianist, composer/arranger, and educator Mike Holober serves as artistic director/conductor of the Westchester Jazz Orchestra and composer-in-residence with the Gotham Wind Symphony.
Tempesta di Mare performs two of its orchestral rediscoveries from the French high baroque: Jean-Philippe Rameau’s Les Fêtes de Polymnie, and Jean-Marie Leclair’s Scylla et Glaucus.