The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with PARTCH, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
The New Year brings to the region an exciting array of Center-funded projects that promise to inspire, inform, and captivate audiences—from interdisciplinary works that blur boundaries in imaginative ways to unique commissions from international artists.
Jens Hoffmann is the deputy director for exhibitions and public programs at The Jewish Museum in New York City.
Composer Lee Hyla’s musical background includes extensive experience as a pianist in new music, rock, and free improvisation.
Wu Peter Tang is a musician and a 2004 Pew Fellow in folk and traditional arts.
Mytili Jagannathan is a poet and a 2002 Pew Fellow.
Professional dancers Gabrielle Revlock and Nicole Bindler, creators of The Dance Apocalypse, will lead participants through an all-levels class that includes wild music, hearty laughter, and opportunities to create.
One of three contemporary music ensembles in the United States that can scale up to a full chamber orchestra, Orchestra 2001 has presented over 80 world premieres.
This large-scale performance, inspired and informed by the immigration process, will premiere in June 2015. The second performance will be simulcast live for a public audience at Independence Mall.
Founded in 1982, Choral Arts Philadelphia has performed nearly 300 works by more than 100 composers.
Donna Graves is a historian and cultural planner with over 20 years experience developing public history projects that document and interpret unrecognized histories.
Network for New Music commissioned and premiered four new chamber works by composers Andrea Clearfield, Shih Hui Chen, Dai Fujikura, and Eric Moe.
The Curtis Institute of Music trains exceptionally gifted young musicians for careers as performing artists.
This paper by Indonesian dance scholar Sal Murgiyanto was originally presented at “Traces of Tradition,” a panel discussion held at the International Dance Conference, August 1-4, 2004.
A conversation with Pew Fellow Jumatatu Poe, Donte Beacham, and LaKendrick Davis on the underground dance style of J-Sette and how Poe drew on its legacy for Private Places, a new Center-funded work.
Uri Caine is an award-winning composer and pianist, and a 2003 Pew Fellow.
Philadelphia’s Pig Iron Theatre Company takes Shakespeare’s tale of mistaken identity off-Broadway.
Stuart Netsky is a painter, sculptor, and a 1995 Pew Fellow.
Throughout Dancing around the Bride’s run at the Barbican Art Gallery in London, the exhibition received media attention from a number of publications.
The Mann Center for the Performing Arts recently announced plans for the Philadelphia Freedom Festival to honor early, Philadelphia-based civil rights activist, Octavius Catto.
The Preservation Alliance for Greater Philadelphia developed a new strategic plan that defines areas of emphasis and programs and services the organization should focus on through 2016.
Linh Dinh is a poet and a 1993 Pew Fellow.
John Zorn visits Philadelphia for a rare solo organ performance at Girard College Chapel.
“Rogers + Rudner: Then + Now,” co-presented by The Pew Center for Arts & Heritage and Dance/USA Philadelphia on September 29, 2007, culminated in a discussion with the two pioneer postmodern dance artists.
The Philadelphia Museum of Art presented the first full-scale exhibition of the artist’s work in more than 30 years.
The Curtis Institute of Music, in collaboration with Opera Philadelphia and the Kimmel Center, produced Leoš Janácek’s opera, sung in the original Czech.
Crossroads Music organizes public performances by accomplished musicians with roots in cultures from around the world.