The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with Partch, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
Pig Iron Theatre Company’s Center-funded School for Advanced Performance Training was featured in the Philadelphia Inquirer.
Jennifer Levonian (Pew Fellow, 2009) creates cut-paper animations that explore the ambivalence of everyday life.
New Paradise Laboratories’ core ensemble will expand their devised theater techniques and lay the groundwork for a series of new pieces, through investigations of improvisational structures, games of chance, and audience interactivity, with a group of international practitioners including composer Bhob Rainey and UK game theory specialist Tassos Stevens.
Two Center-funded performance projects presented by FringeArts at the 2015 Fringe Festival—Available Light and After the Rehearsal/Persona—have gained positive reviews in The New York Times.
Dancing Diplomats follows choreographer Taras Lewyckyj’s work with Ukrainian artist Anatoly Kryvochyzha, whose choreography was blacklisted by the USSR in 1977.
Michael O’Reilly is a producer and a 1994 Pew Fellow.
Born in Venezuela, Kotain works with various Philadelphia-area nonprofit cultural organizations to teach others about his Arab and Latin musical traditions.
Richard Schechner is a legendary downtown theater artist, currently on faculty at NYU’s Tisch School of the Arts, where he was one of the founders of the Performance Studies department.
Avital Ronell is the author of numerous substantial works and one of the major forces in contemporary literary criticism and philosophy.
This groundbreaking exhibition presents the early artwork of the late Pati Hill, an American writer who pioneered the use of the photocopier as an artistic tool in the 1970s.
Centering on Foley’s improvisational performance practice, action is primary will feature photographic, moving-image, sonic, and written documentation of up to 750 dances, which Foley performs on a daily basis at 3:15 p.m.
Founded in 1986, Sruti promotes and presents Indian classical music and dance to educate the greater Philadelphia community on the importance of Indian arts.