The PRISM Quartet creates and performs music that places the saxophone in unexpected contexts, charting fresh musical territory that challenges audiences. For Color Theory, PRISM will commission new works by Guggenheim Fellow Steven Mackey and Berlin prize recipient Ken Ueno, which will pair the saxophone with a wide range of percussion instruments, in order to investigate the concept of “musical color.” PRISM will partner with PARTCH, an ensemble devoted to American composer and musical instrument builder Harry Partch (1901–74), and Brooklyn-based ensemble Sō Percussion, for Color Theory concerts at the Kimmel Center for the Performing Arts. These concerts will be broadcast live on WWFM and a follow-up audio recording will be available on Innova Records. The project will also include panel discussions that examine color theory across disciplines; a Harry Partch lecture and instrument-making workshop; a composer symposium at the Curtis Institute of Music; and family workshops at the Free Library.
New Paradise Laboratories’ Center-funded production of Freedom Club received media attention after traveling to New York City.
The premiere American Impresario article comes from one of the nation’s most adventurous radio producers, WNYC’s John Schaefer, host of Soundcheck, New Sounds, and the New Sounds Live concert series.
The 2009–10 season of the Kimmel Center’s series included Philadelphia debuts by Kristjan Järvi conducting the Absolute Ensemble, the string quartet Brooklyn Rider, and more.
In 1995 the Center awarded Pew Fellowships to 16 Philadelphia-based artists, and grants to 23 dance and music organizations in the greater Philadelphia region.
WXPN is a public radio station operated by the University of Pennsylvania, best known for its World Cafe music program, distributed by National Public Radio.
Pew Fellow Sueyeun Juliette Lee’s poetry questions concepts of birthright, lineage, and homeland, investigating relationships between people and the places they inhabit.
Paola Antonelli, senior curator of the architecture and design department at the Museum of Modern Art, is one of the world’s foremost experts on design.
WRTI spoke with Pennsylvania Ballet artistic director Roy Kaiser about the company’s final offering of the 2012–13 season.
Amy Smith is a dance artist, a founder of Headlong Dance Theater, and a 2006 Pew Fellow.
Laurie Uprichard is the former director of the Dublin Dance Festival and former executive director of Danspace Project in New York City.
Ars Nova Workshop, a free jazz and experimental music presenter, has programmed nearly 500 events since 2000, often in atypical settings.
Designer Jenny Sabin’s PolyMorph is on display in France and bandleader Marshall Allen performs at Lincoln Center on October 5, 2013.
Piffaro, the Renaissance Band, produced a two-part program recreating a royal christening that occurred in Stuttgart, Germany in 1616.
Historical musicologist David Gutkin reflects on workshopped performances of works by Robert Ashley and Cornelius Cardew.
For the first time in 40 years, the Philadelphia Museum of Art will reinstall and reinterpret its eight galleries of South Asian art, which include nearly 3,000 works spanning over 2,500 years.
Wendy Rogers has choreographed and performed contemporary dances for over 40 years around the county, including California and New York.
Vidyasankar, a composer, vocalist, and accomplished performer on the chitravina (a 20-stringed slide instrument), will produce a concert that explores the evolving continuum of South Indian musical lineage.
The PRISM Quartet presents new works composed and performed by Dave Liebman and Greg Osby.
Meiyin Wang is the associate artistic producer of The Public Theater’s Under The Radar Festival and Symposium in New York, which presents new and cutting-edge theatrical work from the U.S. and abroad.
Director Romeo Castellucci’s work returns to Philadelphia with The Four Seasons Restaurant, which uses the infamous unfulfilled Mark Rothko commission as a jumping-off point to explore the impact of absence on the human psyche.
Founded in 1992, Astral Artists plays a vital role in the discovery and development of gifted classical musicians.
Jahmae Harris is a writer and a 1998 Pew Fellow.
Philadanco reconstructs Bad Blood, a highly physical and seldom-performed piece by Ulysses Dove.
Dance scholar Linda Caruso Haviland discusses the noted choreographer’s curiosity about and drive towards the not-yet-known (the “possibles”) within the dance structure and the dancers.
Jamaaladeen Tacuma (Pew Fellow, 2011) is considered a living legend among jazz circles. He is credited with redefining the potential of the electric bass.
Among the largest art museums in the United States, the Philadelphia Museum of Art is a pilgrimage site for modern and contemporary art professionals.