Sophia’s Forest

1/9: Opera Philadelphia’s 2014 Double Exposure at Fringe Arts, featuring scenes from I Have No Stories To Tell You. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Dominic M. Mercier.
2/9: Science per Forms, collaboration of Carbon Dance, IK Studio, ModLab, and Immersive Kinematics, 2012. Photo by Lendl Tellington.
3/9: Opera Philadelphia’s 2014 Double Exposure at Fringe Arts, featuring scenes from I Have No Stories To Tell You. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Dominic M. Mercier.
4/9: Gotham Chamber Opera’s 2014 production of I HAVE NO STORIES TO TELL YOU, presented in the Medieval Court of the Met Museum. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Stephanie Berger.
5/9: Gotham Chamber Opera’s 2014 production of I HAVE NO STORIES TO TELL YOU, presented in the Medieval Court of the Met Museum. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Stephanie Berger.
6/9: Gotham Chamber Opera’s 2014 production of I HAVE NO STORIES TO TELL YOU, presented in the Medieval Court of the Met Museum. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Stephanie Berger.
7/9: Gotham Chamber Opera’s 2014 production of I HAVE NO STORIES TO TELL YOU, presented in the Medieval Court of the Met Museum. Music by Lembit Beecher and libretto by Hannah Moscovitch. Photo by Stephanie Berger.
8/9: Orpheus and Eurydice: Electromechanical Redux, a collaboration between Lembit Beecher and the Immersive Kinematics Research Group at the University of Pennsylvania led by Mark Yim and Simon Kim, presented at the Slought Foundation in December, 2014. Photo by Andrew Gardner.
9/9: Orpheus and Eurydice: Electromechanical Redux, a collaboration between Lembit Beecher and the Immersive Kinematics Research Group at the University of Pennsylvania led by Mark Yim and Simon Kim, presented at the Slought Foundation in December, 2014. Photo by Andrew Gardner.

Composer Lembit Beecher will create a multi-disciplinary chamber opera for soprano Kiera Duffy and the Aizuri String Quartet that focuses on the experience of childhood and will be performed at Drexel University’s URBN Center Annex. Directed by Brian Staufenbiel with original libretto by Hannah Moscovitch, the work will feature a mechanical, electronic sound-generating sculpture that will grow from a small music box into a seven-foot tall object as the performance unfolds. Built in collaboration with architect Simon Kim, engineer Mark Yim, and Director of the Drexel ExCITe Center Youngmoo Kim, the sculpture will represent a family heirloom belonging to the principal character, an 11-year-old girl. Beecher says, “The opera will be structured as a series of conversations between the child and the sculpture, the child telling fantastical stories to the sculpture, and the sculpture responding with its delicately mechanical textures.”


Additional unrestricted funds are added to each grant for general operating support.

References

Over its 18-year history, Montgomery County Community College (MCCC) Lively Arts Series has engaged local and national artists to share their work with the college and surrounding Blue Bell community.

Grants & Grantees

The world premiere of a new chamber opera by composer-in-residence Missy Mazzoli and librettist Royce Vavrek, inspired by the 1996 film by Danish auteur Lars von Trier, tells the harrowing tale of a naive newlywed who has chosen to marry outside of her strict Calvinist community in coastal Scotland.

Theater magazine editor Tom Sellar talked with legendary avant-garde performer Kate Valk on the exciting challenges presented by the Wooster Group’s 2011–12 theater season.

Please Touch Museum received an Advancement grant to research and develop a new set of blended digital and hands-on exhibitions, education programs, and marketing and distribution strategies.

Collaborators & Colleagues

Paul Hostetter is the Ethel Foley Distinguished Chair in Orchestral Activities at Columbus State University, and is a conductor for the Sequitur Ensemble and the New York Concerti Sinfonietta.

Grants & Grantees

Choral Arts Philadelphia presented two concerts exploring liturgical practice with a focus on mystical traditions—sacred and secular, ancient and contemporary.

The Unofficial Guide to Audience Watching Performance is an evening-length autobiographical dance, the culmination of Philadelphia-based breakdancer Raphael Xavier’s 30 years of experience in hip-hop genres. Xavier, a 2013 Pew Fellow, plays with the rhythms of rap, break dancing and narrative to draw parallels between the performer’s body and the stage itself.

Grants & Grantees

Greg “Peache” Jarman (1947–2009) was a musician and a 2000 Pew Fellow in Folk and Traditional Arts.

Grants & Grantees

An outgrowth of the anti-graffiti network, Mural Arts Philadelphia has produced over 3,600 murals since 1984, making it the largest public art program in the United States and earning Philadelphia the nickname “City of Murals.”

Grants & Grantees

Jennifer Higdon is a Pulitzer Prize-winning musician and a 1999 Pew Fellow.

An artist talk with Michael Rakowitz, who will discuss his participatory performance and radio project, A Desert Home Companion.

Grants & Grantees

Mick Moloney is a musician and folklorist, and a 2000 Pew Fellow in folk and traditional arts.