New Paradise Laboratories (NPL) will present Hello Blackout!, a world premiere integrating contingency—accident, chance, and improvisation—into NPL’s physical theater style. Conceived by the company’s artistic director Whit MacLaughlin and composer Bhob Rainey, both Pew Fellows, the work will be “part horror story and part philosophical investigation into what is knowable and what is beyond our ability even to contemplate,” according to NPL. A live chamber ensemble will perform Rainey’s “ornery yet architecturally rich” computer-generated score. Hello Blackout! centers on anomalous triplets who live in a derelict mansion made of numbers, far from those who lead conventional, non-mathematical lives. Under the watchful eye of “Moth,” the siblings communicate in a private language comprised of body sounds and semaphore. Hello Blackout! is grounded in a philosophical and artistic investigation of contingency which NPL conducted through a 2015 Center Discovery grant.
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Susana Tubert is the co-founder and executive director of the Latino International Theater Festival of New York and executive producer of its annual TeatroStageFest.
Temple Contemporary presents a talk by Pulitzer Prize- and Grammy Award-winning composer David Lang, in conjunction with Symphony for a Broken Orchestra.
Acclaimed French choreographer and experimental dancer Boris Charmatz visited Philadelphia for a residency and public presentation of his performance piece for 24 dancers, Levée des conflits (Suspension of conflicts), at Drexel’s Mandell Theater, co-presented by FringeArts, in combination with a series of interpretive programs.
Lisa Kraus, Trisha Brown: In the New Body project director and former member of the Trisha Brown Dance Company, offers an inside view into Brown’s dance rehearsals, artistic development, and more.
An original composition by jazz pianist Jason Moran was developed in conjunction with the exhibition Gee’s Bend: The Architecture of the Quilt.
Playwright and director Ain Gordon reflects on An Experiment in Five Acts, a critical feedback program for mid-career artists of his own design. Here, he speaks candidly about the project’s impact, what worked and what didn’t.
The company is dedicated to making critically important performance opportunities available to the current generation of opera and theatrical performers, designers, and directors.
Annenberg Center Live presented Basil Twist’s Petrushka and held workshops for local puppeteers, which included a tour of Twist’s studio.
Mark Brokaw is the artistic director of the Yale Institute for Music Theatre in New Haven, CT, and an associate artist of the Roundabout Theatre in New York City.
Colucci’s sound designs for theater are distinguished by their sense of musicality, and what he describes as a “sensitivity to the power of sound to evoke the ineffable.”
PRISM Quartet’s Center-funded project Color Theory features a series of performances, lectures, and workshops that investigate the concept of “musical color.”
Recognized as one of the world’s leading conservatories, The Curtis Institute of Music (Curtis) was founded in 1924 by Mary Louise Curtis Bok. Curtis has educated and trained some of the most exceptionally gifted young musicians from around the world for careers as performing artists on the highest professional level.