Nichole Canuso Dance Company will engage with oral historian Suzanne Snider, writer Karinne Keithley Syers, and vocal teacher Jean-René Toussaint in a discovery process to develop new performance techniques that integrate movement, voice, and personal history. With an interest in “the intersection and overlap of verbal and physical meaning,” says Canuso, the ensemble will explore methods of collecting spoken stories that arise from embodied experiences; develop approaches to organizing and writing text material for performance; and work to improve and expand the quality of their vocal presence. The discovery process will be documented on a dedicated website, featuring photos, videos, and reflective writings, and the project will culminate in a public showing of the new performance practice.
Additional unrestricted funds are added to each grant for general operating support.
Ballet répétiteurs such as Lincoln work one-on-one with dance artists to articulate and find the essence of a character or particular portrayal that becomes distinctive to their physicality.
This month in Fellows Friday news: Vera Nakonechny is named a National Heritage Fellow by the National Endowment for the Arts, Alex Da Corte exhibits at White Cube, and much more.
An urban performing arts center on the campus of the University of Pennsylvania, the Annenberg Center presents touring theater, jazz, and world music.
Caden Manson is a theater artist and a 2002 Pew Fellow.
In conjunction with In Search of Eastman, exploring the possibilities associated with presenting the work of Julius Eastman (1940–90), Bowerbird presents a weekend of free events introducing the life and work of the composer.
Susan Rethorst (Pew Fellow, 2014) is an internationally renowned choreographer and teacher of choreography.
The Philadelphia Museum of Art’s mid-career retrospective of the work of photographer Zoe Strauss offered the first comprehensive assessment of the artist’s achievement to date.
Amy Smith is a dance artist, a founder of Headlong Dance Theater, and a 2006 Pew Fellow.
Independent curator Claire Tancons discusses the complex issue of institutional resistance among artists of particular backgrounds.
Andrea Clearfield—a working musician, composer, curator, and member of the group—discusses how making and listening to music is changing.
Art and reality, illness and normality: two Ingmar Bergman screenplays are reimagined for the stage by Ivo van Hove and Toneelgroep Amsterdam, part of the 2015 Fringe Festival.
A performance excerpt of Ain Gordon’s new play, followed by an exploration of the Library’s vast archives of LGBT activist materials.