FringeArts presented Philadelphia premieres of works by European choreographers Jérôme Bel and Jan Fabre as part of the 2008 Philadelphia Live Arts Festival (now known as the Philadelphia Fringe Festival). French choreographer Bel worked with a local cast of 20 performers to mount The Show Must Go On, a theatrical comedic work performed to 19 pop songs that challenges notions of virtuosity in performance. The Show Must Go On has since been performed at venues around the world, including the Museum of Modern Art, Saddlers Wells, Walker Art Center, and Lyon Opera. Belgian choreographer Jan Fabre’s Another Sleepy Dusty Delta Day is a haunting dance solo for the Croatian performer Ivana Jozic that tells the story of a man who grapples with his decision to commit suicide.
During Dancing around the Bride’s run at the Philadelphia Museum of Art, the exhibition received a string of glowing reviews from the New York Times.
The fourth iteration of danceworkbook, A Steady Pulse: Restaging Lucinda Childs, 1963–78, is a dynamic reexamination of the early dances of one of America’s most influential contemporary choreographers.
The Eleone Dance Theatre produced Americana in collaboration with former members of the Katherine Dunham Dance Company.
thINKingDance writer Carolyn Merritt reported on Pasión y Arte’s highly successful First Philadelphia Flamenco Festival with Rosario Toledo.
In 2011, playwright and actress Anna Deavere Smith spoke at a Center-hosted event about the evolution of her one-woman show.
Pennsylvania Academy of Fine Arts exhibited the first career retrospective for this American figurative painter of African descent, born and educated in Philadelphia.
LIVE REMIX is a three-part event guest curated by Tom Sellar, including a discussion with director Ivo van Hove, part of a series of programming related to the Center-funded performance of Ivo van Hove’s work After the Rehearsal/Persona.
Andrew Simonet is a dance artist, a founder of Artists U and Headlong Dance Theater, and a 2006 Pew Fellow.
Bryn Mawr College presents two performances of Trisha Brown’s pioneering Early Works, created between 1968 and 1975, blurring the boundaries between performance and visual art.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
James Fei is an active composer and performer on saxophones and live electronics and an associate professor of electronic arts at Mills College in Oakland, where he has taught since 2006. He served as a Center music panelist in 2013, and an LOI panelist for Performance in 2015.
John Rasmussen is Midway Contemporary Art’s executive director. He founded the organization in 2001.