FringeArts presented Philadelphia premieres of works by European choreographers Jérôme Bel and Jan Fabre as part of the 2008 Philadelphia Live Arts Festival (now known as the Philadelphia Fringe Festival). French choreographer Bel worked with a local cast of 20 performers to mount The Show Must Go On, a theatrical comedic work performed to 19 pop songs that challenges notions of virtuosity in performance. The Show Must Go On has since been performed at venues around the world, including the Museum of Modern Art, Saddlers Wells, Walker Art Center, and Lyon Opera. Belgian choreographer Jan Fabre’s Another Sleepy Dusty Delta Day is a haunting dance solo for the Croatian performer Ivana Jozic that tells the story of a man who grapples with his decision to commit suicide.
The Legacy Center at Drexel holds the records of the Women’s Medical College of Pennsylvania, which was established in 1850 as the first medical school for women in the United States.
In 2013, the Center funded 52 projects, welcomed 13 new Pew Fellows, and brought to Philadelphia exemplary cultural practitioners from around the world for roundtable discussions and lectures.
Tempesta di Mare presented a concert series of baroque interpretations in collaboration with the Philadelphia Singers.
Ralph Lemon, Artistic Director of Cross Performance, is a dancer, choreographer, writer, and visual artist dedicated to cross-cultural and cross-disciplinary work.
Pulitzer Prize-winning composer David Lang will create a new composition for 1,000 broken instruments gathered from Philadelphia public schools, to be performed by a 600-member orchestra comprised of students, teachers, and professional and amateur musicians.
Wooley’s rigorous study and extensive performance of a wide variety of musical scores offers us an expert musical perspective, as well as unique insight, into our questions of (co-)authorship.
Odean Pope is a saxophonist and composer, and a 1992 Pew Fellow.
Part performance, part discussion, and part party, these events invite attendees to discuss the project’s improvisational practice.
Susanna Sloat is a writer, editor, and arts consultant in New York City who has written about a diverse range of dance.
Gabrielle Revlock will developed a new dance-theater work with past collaborator Nicole Bindler that explored the nature of creative collaboration, as well as themes of gender, competition, and spectacle.
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Dr. Anthea M. Hartig is executive director of the California Historical Society. Previously, she spent six years with the National Trust for Historic Preservation.