Pew Fellow and dancer Roko Kawai traveled to Japan to work on her project Izu House. A team of collaborators, including Philadelphia choreographer Leah Stein, Tokyo-based dancer Hideo Arai, vocalist Mika Kimula, and Pew Fellow and musician Toshi Makihara, joined Kawai on her trip. In Japan, the collaborators lived and worked in a house in Chihan-An, Ohito on the Izu Peninsula, drawing from the history of the house and the surrounding area to develop a site-specific dance/sound piece. Kawai’s research contributed to the online publication Belonging and Solo: Roko Kawai, the second in the Center’s danceworkbook series.
Drozdowski, a curator of performance, will host European duo Jonathan Burrows and Matteo Fargion for a two-week retrospective of their collaborative career.
In her concluding address as the Center’s visiting scholar, Kristy Edmunds discussed the importance of providing a platform for national and international artists alongside local artists.
EgoPo Classic Theater transforms classic theater and literature into provocative performances, placing equal emphasis on text, vocals, and movement. Its
In an effort to deepen visitors’ curiosity about the arboretum’s plants, architecture, and history, the Morris Arboretum will develop mobile technology that provides instant access to a wide variety of content.
James Fei is an active composer and performer on saxophones and live electronics and an associate professor of electronic arts at Mills College in Oakland, where he has taught since 2006. He served as a Center music panelist in 2013, and an LOI panelist for Performance in 2015.
Phillip Seitz is a curator with a particular interest in using history to address legacies of slavery in the United States, and to attempt to begin processes of healing for African-Americans living with those legacies.
Gordon’s play was inspired by a small, multi-racial collective of women in Philadelphia who took action against social wrongs in the early 1800s.
New Paradise Laboratories’ core ensemble will expand their devised theater techniques and lay the groundwork for a series of new pieces, through investigations of improvisational structures, games of chance, and audience interactivity, with a group of international practitioners including composer Bhob Rainey and UK game theory specialist Tassos Stevens.
Art and reality, illness and normality: two Ingmar Bergman screenplays are reimagined for the stage by Ivo van Hove and Toneelgroep Amsterdam, part of the 2015 Fringe Festival.
Kevin Ward is a former director of Santa Fe’s Dayton Contemporary Dance Company.
Kate Watson-Wallace worked with four dancers in a research project that embraced, appropriated, and layered movements found in online and pop culture ephemera, in order to develop new types of “21st-century” dance.
AP Gorny is a visual artist and a 1994 Pew Fellow.