Nichole Canuso Dance Company’s Center-supported premiere performances of Midway Avenue, which took place at FringeArts from May 2–4, have received a great deal of media attention, including a positive review from the Philadelphia Inquirer. Midway Avenue is a solo performance that uses personal reminiscences and universal yearnings to explore the relationship between memory and self. The planning and discovery process behind this new work also received Center support in 2011.
In her Inquirer review, Merilyn Jackson writes, “Canuso always works hard on her productions, yet they have a deceptive simplicity. Over the 18 years I’ve watched her dances, I feel her previous works were preludes to this, her most winsome and revelatory.” Read more >
At NewsWorks, Jennifer Lynn explains that “The idea for the show arose when Canuso was researching a more theoretical project. ‘Images from my childhood started to come up,’ [Canuso] said. ‘Little by little, that crept into the piece I ended up making.’” Read more >
In a recent Q&A with Philadelphia Magazine, Canuso said, “This feels like the most directly personal work I’ve made to date. I’m speaking more than I normally do onstage. There is a lot of abstraction but I also reveal a certain amount of information about myself. All that said, Midway Avenue is more about the universal questions of memory and repetition and self-imposed structures than it is about me.” Read more >
Hip-hop dancer and Pew Fellow Raphael Xavier talks about how performing on the street differs from performing on stage.
Pew Fellow Chuck Treece is known as a seasoned guitarist, bassist, drummer, vocalist, and, in many circles, a skateboarding legend.
Pew Fellow Robert Matthews’ drawings are representational with varying degrees of narrative. They are not illustrations but rather investigations of unsolvable questions.
Christian Michel is a painter and a 1993 Pew Fellow.
Elizabeth Smith is the executive director of the Helen Frankenthaler Foundation in New York City.
Anthony Romero and AUX present a night of performance and film, with esoteric performance actions from artists Nick Bastis and Dorian McKaie, and film by Vox Populi alumnus Cudelice Brazelton.
Jenelle Porter is senior curator at the Institute of Contemporary Art, Boston. Prior to that, she curated at Artists Space in New York and the Institute of Contemporary Art, Philadelphia.
Founded in 2005 by Christine Cox and Matthew Neenan, BalletX unites distinguished choreographers with a company of world-class dancers to “forge new works of athleticism, emotion, and grace.”
The Community Education Center produced the 25th New Edge Artists Service Program and Performance Series, connecting emerging and established artists with resources to rehearse and showcase their work.
The Pew Center for Arts & Heritage announced its 2014 grants in support of Philadelphia’s arts and cultural community today. They include 12 new Pew Fellowships of $60,000 each, 35 project grants in amounts up to $300,000, and two Advancement grants of $500,000 each.
Choreographer Lisa Kraus collaborated with longtime colleagues to create a piece that examined how longstanding relationships affect dancing and dancemaking.
Opera Philadelphia and the Wilma Theater will explore the Don Juan legend in scenes from theatrical works inspired by the famed lover.