Part of the 2014 Fringe Festival presented by FringeArts, New Paradise Laboratories’ The Adults is a truly collaborative theater piece—merging original and new ensemble members, music composition by Bhob Rainey (2013 Pew Fellow), set design by Matt Saunders (2014 Pew Fellow), and the influence of Anton Chekhov and painter Eric Fischl.
Supported by The Pew Center for Arts & Heritage, The Adults explores the not-so-hidden darkness of human nature and its impact on the natural world. Six adults and one invisible visitor gather at a lake house in the woods, their cruelties demonstrated through highly physical theater and the pairing of ominous sound and set design. Since its world premiere at Painted Bride Art Center on September 3, The Adults has received rave reviews. Performances run through September 14.
For The New York Times, critic Ben Brantley describes the action of the play as “games, both sporting and erotic…rendered in various body-contorting pas de deux, in which civilized and primal impulses seem to do battle.” Read more >
“Nasty, beautiful, ugly, thought-provoking, and hypnotic,” writes Wendy Rosenfield for The Philadelphia Inquirer. “Matt Saunders’ set and projections offer a Philip Johnson-style modernist dream…beneath the menacing eyes of an enormous taxidermied bear. Bhob Rainey’s fuzzy, squealing sound design, all unsettled agitation, underscores the disconnect between the people and their surroundings.” Read more >
Lew Whittington of the Huffington Post praises New Paradise Laboratories’ bold experimentation: “unflinching as a theater company willing to experiment with high-wire concepts, kinetic visuals, cinematic sound design, integrating ‘physical theater’ and character choreography to conjure fantastical stage worlds that challenge safe theater conventions.” Read more >
Philebrity says The Adults is “highly physical movement work that provokes a rapturous discomfort from way deep in your gut…onstage happenings so astonishing they attain the level of hallucination or illusion.” Read more >
A number of projects from grantees and Pew Fellows have garnered extensive national and regional press coverage in recent weeks.
EgoPo Classic Theater transforms classic theater and literature into provocative performances, placing equal emphasis on text, vocals, and movement. Its
Built on a foundation of public dialogue and interaction, the Re-Place-ing Philadelphia project will use art as a lens for viewing the city and its history.
Matana Roberts is an alto saxophonist working in various mediums of performance, including improvisation, dance, poetry, visual art, and theater.
On March 23, 2012, The Pew Center for Arts & Heritage hosted Alan Brown of WolfBrown, and Brad Erickson and Clayton Lord of Theatre Bay Area, for an event that presented an important national study on the “intrinsic impact” and value of the arts.
The William Way LGBT Community Center presents OutBeat: America’s First Queer Jazz Festival. The four-day festival will highlight intersections between sexual orientation, gender identity, and jazz history and culture.
Voloshky Ukrainian Dance Ensemble restaged dances with new recordings in preparation for national and international tours.
Anna Halprin is a pioneering choreographer whose work has led to a reconsideration of dance as an art form.
A year-long series of participatory performances at Washington Avenue Green will activate a one-acre site on the Delaware River waterfront that served as the entry point to Philadelphia for immigrants in the early 20th century.
Peter d’Agostino is a multimedia artist and a 1992 Pew Fellow.
Thaddeus Phillips uses his two years on a telenovela as the jumping off point in The Incredibly Dangerous Astonishing Lucrative and Potentially Completely TRUE Adventures of Barry Seal.
This month in Fellows Friday News: Alex Da Corte receives major media attention for his Easternsports collaboration at the ICA, Matt Saunders and Bhob Rainey are praised for set and sound design for The Adults, and much more.