In this month’s Pew Fellows news highlights, novelist Beth Kephart describes seeing the landscape of her unwritten novel through the eyes of videographer Lori Waselchuk. Composer Bhob Rainey makes music out of squid neurons and mathematical formulas, and poet Major Jackson discusses the simple act of paying attention.
Taking Inspiration from Philadelphia and Each Other
Beth Kephart (2005) describes the genesis of her recent novel, One Thing Stolen, for Philly.com, pinpointing a walk around West Philadelphia with filmmaker Lori Waselchuk (2012). Kephart praises the community and the “conversation, one person reaching out to another, the sustenance of shared exuberance…Often art begins there.”
Jazz pianist Orrin Evans (2010) recently celebrated his birthday with a live performance at Chris’ Jazz Café, and spoke with The Philadelphia Inquirer about his influences. Of working with other artists in Philadelphia, he says, “It was about the spirit of union and reunion, as well as family, the village. There’s history, love, and respect, too.”
Scribe Video Center founder Louis Massiah (1994) is interviewed for The Philadelphia Tribune about Scribe’s history and work. When Massiah returned to Philadelphia after graduating from college, “he realized that Philadelphia didn’t have a place where non-college students could go to have access to video equipment,” and worked to address that need.
Kate Watson-Wallace (2007) and King Britt (2007) will co-present The World Is a Screen, an evening of music and dance at FringeArts for First Friday on April 3. Five experimental artists will come together to create an improvisational score in real time. April 3, 8 p.m., 140 North Columbus Boulevard, Philadelphia.
New Performances and Exhibitions
David Patrick Stearns of WRTI interviews composer Bhob Rainey (2013) about his experimental composition techniques, including music drawn from squid neuron mapping. Rainey’s recent performance at Vox Populi Gallery also received coverage in The Philadelphia Inquirer, which compared him to John Cage: “Though he follows many John Cage precepts, he makes Cage sound folksy.”
The New York Times ArtsBeat blog announces the world premiere of Exodus, a new work by hip-hop choreographer Rennie Harris (1996). The piece will be performed in June as part of Alvin Ailey American Dance Theater’s two-week season at Lincoln Center.
WHYY interviews visual artist Anthony Campuzano (2009) on his work featured in Framing Fraktur, an ongoing Center-funded exhibition at the Free Library of Philadelphia. Campuzano’s contemporary paintings and drawings work in connection to historical fraktur as “visual abstractions” based on language and stories.
Broadway World announces that Interact Theater Company will produce Thomas Gibbons’ (1997) play, Uncanny Valley, at Philadelphia’s Adrienne Theater in April. The play is “a piercing look at humanity’s desire for immortality and the eerie feeling that we may be crossing a dangerous precipice.” April 8–25, 2030 Sansom Street, Philadelphia.
Alex Da Corte’s (2012) installation at Luxembourg and Dayan, Die Hexe, continues to gather press. Curbed calls it “visually compelling and eerie.” Vogue listed the show as a must-see this spring, along with Ryan Trecartin’s (2009) co-curated 2015 New Museum Triennial.
In a feature on the 2015 New Museum Triennial, Vulture calls co-curator Ryan Trecartin (2009) “one of the best artists of his generation…someone who has narrowed the space between objects, images, digital manipulation, cultural narrative, millions of colors, and layers of sound to a supercharged splinter.”
Pew Fellows In Conversation
Visual artist Astrid Bowlby (2005) will speak at an upcoming panel discussion at the Pennsylvania Academy of Fine Arts, hosted by New York arts critic and writer David Cohen. April 8, 6–8 p.m., 118 North Broad Street, Philadelphia.
Architect Jenny Sabin (2010) will speak at Cornell University’s Charter Day in April, on “Seeing and Hearing at the Cutting Edge: The Time of Experience.” April 26, 9–10:30 a.m., Alice Statler Auditorium, Cornell University, Ithaca, New York.
The Village will host two accomplished West African social practice artists, Kwasi Ohene-Ayeh and Olanre Tejuoso, during residencies in which they will collaborate with north central Philadelphia’s families to design and execute a public art project, nurturing a space for community members to creatively transform their physical landscape.
This interactive, site-specific program invited audiences to explore a Northeast Philadelphia recycling facility from the artist’s perspective, with a series of films, performances, and discussions focused on increasing public awareness of the waste stream and the role of art in shaping social and environmental consciousness.
Spanish dancer and choreographer Rosario Toledo choreographed an original dance for Pasión y Arte, marking the company’s first collaboration with a major flamenco artist.
FringeArts presents, develops, and commissions a range of high-quality contemporary performing and visual arts in Philadelphia.
Designer Jenny Sabin’s PolyMorph is on display in France and bandleader Marshall Allen performs at Lincoln Center on October 5, 2013.
Inspired by the Center-funded Paul Evans retrospective at the James A. Michener Art Museum, we ask Williams and Tsien to reflect on the art-furniture designer’s work and its relationship to architecture.
In this month’s Pew Fellows news, four Fellows receive nominations for the 2016 Barrymore Awards for Excellence in Theatre, Sarah McEneaney’s latest gallery show is profiled in The Philadelphia Inquirer, and Sharon Hayes opens a new exhibition at The Common Guild in Scotland.
Thelma Golden has been the director and chief curator at the Studio Museum in Harlem since 2000.
Since its founding in 1864, Swarthmore College has given students the knowledge, insight, skills, and experience to become leaders for the common good. The Performing Arts at Swarthmore College serve as educational and artistic laboratories, combining a rigorous liberal arts education with practical explorations of performance.
A number of Center-funded projects are New York Times and Philadelphia Inquirer fall arts picks.
In 2005 the Center awarded Pew Fellowships to 12 Philadelphia-based artists, and grants to 66 dance, music, theater, and visual arts organizations and practitioners in the greater Philadelphia region.
Thom Collins is executive director and president of the Barnes Foundation.