Two Center-funded performance projects—Supper, People on the Move and Facing Front: Lectures and Performance by Jonathan Burrows and Matteo Fargion—culminated at the end of June, gaining media attention from several regional news outlets.
Supper, People on the Move was a large-scale performance inspired by the immigration process, choreographed by Silvana Cardell and appearing at the Icebox Project Space at Crane Arts with a simulcast at Independence Mall .
“Filled with symbolism and metaphor,” wrote Jim Rutter for The Philadelphia Inquirer, “[Supper] forcefully conveys the emotional power of the psychological and physical perils that can plague an immigrant’s passage.” Broad Street Review’s Samantha Maldonado described Supper as “a thoughtful, important work for not only its serious exploration of the immigrant experience, but also as a powerful example of dance as a mode for social history and political advocacy.” The Dance Journal’s Gregory King called the piece “an authentic gift that was both intense and honest…a splendid work.”
Independent curator Anna Drozdowski presented European duo Jonathan Burrows and Matteo Fargion at Neighborhood House Theater in Facing Front, a two-week-long retrospective of the pair’s collaborative career, combining performances, lectures, and a master class.
Lynn Matluck Brooks of ThINKingDANCE called the Facing Front performances “direct and effective, drawing our eyes into the complexity of gestural interplays and subtle sounds.” In a preview of the retrospective, The Dance Journal’s Jane Fries explored Burrows and Fargion’s cross-genre work: “duets informed by their wit and affability…performances that entertain as well as expand the notion of what a dance can be.” For The Philadelphia Inquirer, Drozdowski talked with A.D. Amorosi about her interest in presenting the duo in Philadelphia, describing them as “longtime collaborators, generous teachers, and smart performers at the edge of a new field who aren’t afraid to have fun.”
Robert Asman is a photographer and a 1997 Pew Fellow.
People’s Light & Theatre Company produced the world premiere of this work by Kenneth Lin, based in part on deadly attacks on immigrants that took place near the playwright’s childhood home.
Pig Iron Theatre Company’s newest work, a collaboration with Japanese playwright Toshiki Okada, originally made its world premiere at Philadelphia’s 2012 FringeArts Festival.
Several Center-funded performances and exhibitions have garnered national and regional media coverage in recent weeks.
Martha McDonald is an interdisciplinary artist whose performances and installations feature handcrafted costumes and objects.
Chamber Music Now commissioned new works by Philadelphia-based composers, inspired by the history of Eastern State Penitentiary.
Choral Arts Philadelphia presents the first of three concert series as part of A Season in the Life of J.S. Bach.
This project investigated various issues surrounding (co-)authorship in cultural production, asking questions around definitions of authorship, collaboration, audience participation, the influence of marketplace, and other concepts.
Pulitzer Prize winner Paula Vogel and The Wilma Theater join forces to present the world premiere of a Vogel’s new play, about a Marine’s search for his missing lover once he returns home from war.
The Mann Center for the Performing Arts presents a diverse range of programming in a beautiful park setting.
In this month’s Pew Fellows news highlights, novelist Beth Kephart describes seeing the landscape of her unwritten novel through the eyes of videographer Lori Waselchuk. Composer Bhob Rainey makes music out of squid neurons and mathematical formulas, and poet Major Jackson discusses the simple act of paying attention.
Legendary saxophonist and composer Wayne Shorter performed with his quartet at the Philadelphia Museum of Art’s Art After 5 series in the spring of 2010, after receiving support from Center to commission Shorter for a new work for its highly regarded series.