Two Center-funded performance projects presented by FringeArts at the 2015 Fringe Festival—Available Light and After the Rehearsal/Persona—have gained national media attention, including positive reviews in The New York Times.
“The Philadelphia Fringe Festival offers an awfully tempting reason for a road trip with its presentation of ‘Available Light,’” wrote Brian Seibert in a New York Times preview. “This landmark 1983 collaboration of the choreographer Lucinda Childs, the composer John Adams and the architect Frank Gehry is now on a revival tour of America and Europe, with no scheduled stops in Manhattan or Brooklyn.”
In a review of Available Light, Siobhan Burke (who also previewed the performance in a critics’ guide) noted that “Childs was among the revolutionaries of Judson Dance Theater in the 1960s” and described how Childs, “from a narrow palette of pivots, brushes, low jumps, turns and other balletic modules… mines a breathtaking spectrum of kaleidoscopic crosshatching patterns.” Burke also highlighted the Center-produced online publication A Steady Pulse: Restaging Lucinda Childs, 1963-78, calling it “a handsome online platform, [and] exemplary archival project.”
Laura Collins-Hughes lauded director Ivo van Hove and Toneelgroep Amsterdam’s production of After the Rehearsal/Persona, writing that “passion is messy, and passion is what we were witnessing…at the 23rd Street Armory…where the superb actors of Ivo van Hove’s Toneelgroep Amsterdam banished every last remnant of Ingmar Bergman’s perpetual chill from a pair of plays about art, delusion and the ravages of devotion.”
Stay tuned for more Center-funded projects news, and browse a list of upcoming performances in our events calendar >>
In this month’s Pew Fellows news highlights, photographer Emmet Gowin shows his work at the Morgan Library and Museum, and jazz pianist Matt Mitchell and choreographer Susan Rethorst are awarded Doris Duke Impact Awards. Bassist Jamaaladeen Tacuma will pay tribute to the late Ornette Coleman, and visual performance artist Kate Watson-Wallace gives an interview on the evolution of her practice.
Raphael Xavier presents Raphstravaganza, a contemporary circus-style performance featuring street performers, extreme BMX riders, acrobatic contortionists, and live music.
Christopher Bursk is a poet and a 1995 Pew Fellow.
Promoting cultural exchanges between Ukrainians and the global community, Voloshky Ukrainian Dance Ensemble seeks to represent the country’s culture through dance.
Since the late 1970s, Danny Yung has established a reputation as one of Hong Kong’s most influential and pioneering artists.
Bassist, composer, and Pew Fellow Jymie Merritt discusses the early influence of Duke Ellington on his artistic practice, his interest in digital composition tools, and more.
Piffaro holds a symposium exploring music, poetry, and art in the Spanish Golden Age, and its relation to Miguel de Cervantes’ Don Quixote.
Casey Childs is the founder and executive producer of Primary Stages in New York City.
FringeArts presented the only American showing of this production by Australia’s Back to Back Theatre—a company known for creating works by and for an ensemble of actors perceived to have intellectual disabilities.
Montgomery County Community College’s Then and Now: Jazz Cubano series kicks off with a performance by Poncho Sanchez and his Latin Band.
Cheng-Chieh Yu began her performing career with Cloud Gate Dance Theater of Taiwan. She is an associate professor in UCLA’s department of world arts and cultures/dance.
Poet and 2012 Pew Fellow Kevin Varrone has worked for over 10 years on a multiple-book project entitled g-point Almanac.