On April 30, Sruti, The India Music and Dance Society presents the world premiere of Saayujya (The Merging), a performance piece interpreting classical South Indian music and dance, inspired by themes of liberty and freedom drawn from Philadelphia’s history. Performance tickets are available online.>>
The one-night only performance at Annenberg Center Live brings two of India’s preeminent artists to Philadelphia: Bharata natyam dancer Priyadarsini Govind and Carnatic musician T.M. Krishna. For Saayujya, Krishna and Govind will interlace elements of classical repertoire grounded in tradition with improvised segments, in which each will creatively respond to the other’s solos.
“It is from revisiting the past, beyond our own predispositions and habituations, that we know tradition. The ‘modern’ evolves from this realization,” Krishna has said.
Saayujya explores “the concept of freedom, of transcending the individual self through art. It’s about… completely letting go and feeling the sheer liberation of the soul within oneself,” Govind recently told WNYC’s John Schafer.
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Wu Peter Tang is a musician and a 2004 Pew Fellow in folk and traditional arts.
Janine Antoni creates work in performance art, sculpture, and photography.
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Since 2001, Rena Zurofsky has been an independent consultant with three primary areas of specialization: as a strategic planner, a retail planner, and an interim director.
James Voorhies is the John R. and Barbara Robinson Family Director of the Carpenter Center for the Visual Arts at Harvard University where he oversees a contemporary arts program dedicated to the synthesis of art, design, and education.
Kinan Abou-afach is a cellist, composer, and classical Arab musician born in Damascus, Syria, who performs extensively with Philadelphia Arabic cultural organization Al-Bustan Seeds of Culture.
The University of the Arts operates within an urban setting that affords a unique perspective on incorporating innovative design into the public realm in a fast-changing city.
Sruti presented two concerts that explored the influence of native and folk traditions upon Carnatic (South Indian classical) music.
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