2013 Year in Review

1/10: Carlos Basualdo, the Keith L. and Katherine Sachs Curator of Contemporary Art, stands before Jasper Johns’ painting According to What (1964) in Dancing around the Bride. Photo by Constance Mensh, courtesy of the Philadelphia Museum of Art.
2/10: Bill T. Jones/Arnie Zane Dance Company’s Body Against Body. Photo by Julieta Cervantes.
3/10: Pennsylvania Ballet performing William Forsythe’s Artifact Suite. Photo by Alexander Iziliaev.
4/10: Excerpt from Pigeons on the Grass, Alas: Contemporary Curators Talk About the Field, published by The Pew Center for Arts & Heritage in 2013. Drawings by Sarah McEneaney.
5/10: Paula Vogel speaks to a group of constituents at The Pew Center for Arts & Heritage on January 22, 2012. Photo by Jaime Alvarez.
6/10: Dan Blacksberg, performer, Cage: Beyond Silence. Photo courtesy of Bowerbird.
7/10: A scene from Opera Philadelphia’s East Coast premiere of the Pulitzer Prize-winning opera Silent Night, with music by Kevin Puts and libretto by Mark Campbell, co-produced with the Minnesota Opera. Photo by Michal Daniel.
8/10: Stills from Bill T. Jones and Susan Rethorst: A Conversation in Five Parts. Filmed at New York Live Arts on March 15, 2013 and produced by The Pew Center for Arts & Heritage.
9/10: Kara Crombie, 2010 Pew Fellow. Photo by Colin Lenton.
10/10: Ninety Miles. Photo by Jimmy Katz.

In 2013, The Pew Center for Arts & Heritage funded 52 projects, welcomed 13 new Pew Fellows, and brought to Philadelphia exemplary cultural practitioners from around the world for roundtable discussions and lectures. We are proud and grateful to have had the opportunity to support and contribute to the vitality of the region’s cultural life. What follows is just a taste of what happened—click the links below to learn more.

Pennsylvania Ballet performing William Forsythe’s Artifact Suite. Photo by Alexander Iziliaev.

The Pennsylvania Ballet presented the Philadelphia premiere of William Forsythe’s Artifact Suite (1984), a work that the San Francisco Chronicle claimed “suggests a vision of ballet for the 21st century.” With choreography marked by brilliant timing, lightning-quick rhythm, and precise syncopation, Artifact Suite still felt fresh, 30 years after its creation. Forsythe, dance scholar Dr. Linda Caruso Haviland, and Freya Vass-Rhee of the Forsythe Company gathered for a symposium to discuss how the world-acclaimed choreographer’s innovations continue to reverberate through the ballet and dance realms.

A scene from Opera Philadelphia’s East Coast premiere of the Pulitzer Prize-winning opera Silent Night, with music by Kevin Puts and libretto by Mark Campbell, co-produced with the Minnesota Opera. Photo by Michal Daniel.

Major accolades were showered on Opera Philadelphia for its production of Silent Night, co-commissioned with the Minnesota Opera and adapted from Christian Carion’s 2005 film Joyeux Noël. They included positive reviews from the New York Times and the Philadelphia Inquirer. Kevin Puts, the composer of Silent Night, received the 2012 Pulitzer Prize for distinguished musical composition.

Bill T. Jones/Arnie Zane Dance Company’s Body Against Body. Photo by Julieta Cervantes.

Dance-choreographer Bill T. Jones revisited his early work with Arnie Zane in Body Against Body at the Painted Bride Art Center. The challenging, autobiographical dances explore cultural and social issues of the 1980s, and remain some of the most significant examples of postmodern dance to date.

The Institute of Contemporary Art, University of Pennsylvania (ICA), presented Jason Rhoades, Four Roads, the first major museum exhibition of the late artist’s work in the United States. Four sprawling, room-sized installations took over the ICA, each one serving as reliquary for the ephemera and detritus from Rhoades’ life—as Randy Kennedy of the New York Times put it, “as obsessively self-referential as a celebrity’s Twitter feed.”

Crossroads Music presented the first 24-hour concert of Hindustani (North Indian) classical music in the Western Hemisphere in decades. The Raga Samay Festival included performances by leading Hindustani musicians from India and the United States, and took place from sunset to sunset, allowing for an authentic, immersive, and truly immediate listening experience.

Carlos Basualdo, the Keith L. and Katherine Sachs Curator of Contemporary Art, stands before Jasper Johns’ painting According to What (1964) in Dancing around the Bride. Photo by Constance Mensh, courtesy of the Philadelphia Museum of Art.

The Philadelphia Museum of Art presented Dancing around the Bride: Cage, Cunningham, Johns, Rauschenberg, and Duchamp, which told “the story of five extraordinary artists and what happened to art and culture when their lives and work intersected,” according to curator Carlos Basualdo. The exhibition design was punctuated with interventions by French artist Philippe Parreno and featured a stage for performances by former members of the Merce Cunningham Dance Company. The show traveled to London’s Barbican Art Gallery and continues to demonstrate the resonance and impact the artists’ multidisciplinary model has on contemporary work.

Ninety Miles. Photo by Jimmy Katz.

Montgomery County Community College produced Then and Now: Jazz Cubano, a series of concerts focused on the Afro-Cuban influence in jazz, featuring stand-outs such as Poncho Sanchez’s tribute to Chano Pozo and Dizzy Gillespie’s Cubano Be Cubano Bop, the Omar Sosa Afri-Lectric Experience, and Ninety Miles.

As part of our capacity building and knowledge development, the Center provided grantees with further opportunities for artistic growth, published a book, and hosted a series of video-taped conversations with seminal figures in the fields of dance, theater, and the visual arts.

Kara Crombie, 2010 Pew Fellow. Photo by Colin Lenton.

The Center awarded artist residencies to four current Pew Fellows. “I had such an amazing and productive time,” said musician Greg Osby, speaking of his retreat to the Ucross Foundation in northeast Wyoming. “The change of environment did wonders for my creative flow and I now recognize the value of getting away.” In 2014, composer and trombonist Dan Blacksberg will also spend time at Ucross, while visual artist Kara Crombie will be in residence at Bay Area’s Headlands Center for Arts, musician Chris Forsyth at the Banff Centre in Western Canada, and visual artist Tim Portlock at the 18th Street Arts Center in Santa Monica, California.

Excerpt from Pigeons on the Grass, Alas: Contemporary Curators Talk About the Field, published by The Pew Center for Arts & Heritage in 2013. Drawings by Sarah McEneaney.

We published Pigeons on the Grass, Alas: Contemporary Curators Talk About the Field, a compendium of newly commissioned interviews with 41 visual arts curators. Illustrated with drawings by Pew Fellow Sarah McEneaney, the book offers a candid assessment of the field at this moment in time. Contributors include Peter Eleey, Helen Molesworth, Hou Hanru, Valerie Cassel Oliver, Ralph Rugoff, Robert Storr, Claire Tancons, Nato Thompson, and many more.

Stills from Bill T. Jones and Susan Rethorst: A Conversation in Five Parts. Filmed at New York Live Arts on March 15, 2013 and produced by The Pew Center for Arts & Heritage.

The Center brought together Bill T. Jones and Susan Rethorst—two seminal but very different figures of the New York downtown dance world—for the first time in 30 years to muse on a variety of subjects, among them the meaning of the word “practice,” the nature of collaboration, the concept of audience, and how they view—with great trepidation—what the future holds for dance.

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We talked to Pulitzer Prize-winning playwright Paula Vogel about the use of history in her work, upon the release of her latest play, A Civil War Christmas. She explained the “shout-out[s]” she gives to the present when writing her period pieces, as well as her commitment to make visible the experiences of Americans who might otherwise go unnoticed. Vogel’s current project, which is funded by the Center, is based on the 1936 play Don Juan Comes Back from the War but is written with the input of Iraq War veterans. It will see its world premiere at Philadelphia’s Wilma Theater in spring 2014.


BalletX presented the world premiere of Annabelle Lopez Ochoa’s Still@Life and Helen Pickett’s Union.

Grants & Grantees

Conceived by Canuso and multimedia director Lars Jan, Nichole Canuso and Lars Jan’s multimedia dance work was presented at the 2010 FringeArts Festival.

Collaborators & Colleagues

Meiyin Wang is the associate artistic producer of The Public Theater’s Under The Radar Festival and Symposium in New York, which presents new and cutting-edge theatrical work from the U.S. and abroad.

Collaborators & Colleagues

Dancer and choreographer Amy Ginsburg is currently the director of dance at Dickinson College in Carlisle, PA.

The Village will host two accomplished West African social practice artists, Kwasi Ohene-Ayeh and Olanre Tejuoso, during residencies in which they will collaborate with north central Philadelphia’s families to design and execute a public art project, nurturing a space for community members to creatively transform their physical landscape.

Collaborators & Colleagues

Susana Tubert is the co-founder and executive director of the Latino International Theater Festival of New York and executive producer of its annual TeatroStageFest.

The Institute of Contemporary Art presents a closing party for its multidisciplinary project Endless Shout featuring a performance by the musical group Joshua Abrams & Natural Information Society.

Promoting cultural exchanges between Ukrainians and the global community, Voloshky Ukrainian Dance Ensemble seeks to represent the country’s culture through dance.

The ICA will present a film screening of The Mesh and the Circle followed by a conversation with Luís Silva and João Mourão, co-directors of Kunsthalle Lissabon.

Grants & Grantees

The Philadelphia Theatre Company is dedicated to producing contemporary American plays and has produced nearly 40 world premieres since 1975.

Grants & Grantees

Historic Germantown is a collaborative of 15 historic houses, museums, and landscapes in the Germantown neighborhood of Philadelphia. The sites have worked together for decades, gradually building their collective capacity in both infrastructure and interpretation.

Collaborators & Colleagues

David Kiehl became curator of prints at the Whitney Museum of American Art in 1993. Previously, he curated at the Metropolitan Museum of Art and the Wolfsonian Foundation in Miami Beach.