Coming to a Stage Near You: Performances from The Wilma Theater, Kyle “JustSole” Clark, Philadelphia Chamber Music Society, and More

1/4: The Reality of Manhood from Kyle Clark’s I Am The Road. Photo by Frank Bicking.
2/4: taisha paggett, Quadruple-Consciousness, Vox Populi Gallery, 2011. Photo courtesy of the Institute of Contemporary Art.
3/4: Trumpeter Duane Eubanks performing Dizzy Gillespie at Jazz Bridge’s Last Call at the Downbeat, 2013. Photo by Howard Pitkow.
4/4: Aneta Kernová in Adapt!. Photo by Michaela Zemcikova, courtesy of The Wilma Theater.

A number of Center-funded performances take the stage this spring, including the world premiere of Blanka Zizka’s Adapt! presented by The Wilma Theater, the continuation of Philadelphia Chamber Music Society’s concert series examining the late works of nine leading composers, and dance performances by choreographer taisha paggett at the Institute of Contemporary Art. See our highlights below, and visit our events page to discover more performances and programs coming this season.

Endless Shout: taisha paggett
March 4-5

The Institute of Contemporary Art’s interdisciplinary exploration of the role of performance in museum spaces continues with performances by choreographer taisha paggett. For Endless Shout, paggett will present her dance work counts orchestrate, a meadow (or weekly practice with breath), in which paggett and choreographer Meena Myrygesan perform a replica of a rehearsal within the gallery space.

taisha paggett, Quadruple-Consciousness, Vox Populi Gallery, 2011. Photo courtesy of the Institute of Contemporary Art.

Philadelphia Real Book Concerts
March 4, March 11, and April 26

Jazz Bridge’s four-part concert series celebrates Philadelphia’s rich jazz heritage and aims to stimulate a local jazz renaissance. Spring musical pairings include performances by saxophonist Odean Pope and pianist Dave Burrell, guitarist Pat Martino and pianist Uri Caine, and bassist Christian McBride and guitarist Monnette Sudler.

Trumpeter Duane Eubanks performing Dizzy Gillespie at Jazz Bridge’s Last Call at the Downbeat, 2013. Photo by Howard Pitkow.

Departure and Discovery: Waywardness and The Voice of a Visionary
March 6 and March 13

Philadelphia Chamber Music Society continues its examination of the late stages of great composers with two performances featuring works by Schumann, Gesualdo, Brahms, Mozart, and Schubert, exploring themes of fragility, unconventionality, and playfulness. The March 6 concert will feature violist Hsin-Yun Huang, The Brentano Quartet, and pianist Jonathan Biss. On March 13, tenor Mark Padmore will join forces with Biss.

The Life of a Just Sole
March 17-18

Blending street dance techniques with spoken word narration and video, choreographer Kyle “JustSole” Clark’s autobiographical dance-theater work introduces audiences to the history of hip-hop culture with a cast of house dancers, b-boys, and lockers who survey a variety of dance styles.

Adapt!
March 22-April 22

The Wilma Theater presents the world premiere of the first play penned by the company’s artistic director, Blanka Zizka. The work draws on Zizka’s personal experiences as a Czech émigré to the US in the 1970s and touches upon themes of identity and exile, the idealism of youth, and the compromises of adulthood. Stay tuned for a new Q&A with Zizka in the coming weeks.

Aneta Kernová in Adapt!. Photo by Michaela Zemcikova, courtesy of The Wilma Theater.

A Season in the Life of J.S. Bach: Eastertide
April 19 and April 26

Choral Arts Philadelphia presents the final installment of its multi-part performance project that recreates 18 rarely-performed cantatas by Johann Sebastian Bach, performed as originally intended: in an arc spanning the Christian church calendar and secular seasons. Read insights by artistic director Matthew Glandorf in a recent news post.>>


Grants & Grantees

Tina Morton (Pew Fellow, 2010) left a career as an X-ray technician to pursue documentary filmmaking.

Dancing Diplomats follows choreographer Taras Lewyckyj’s work with Ukrainian artist Anatoly Kryvochyzha, whose choreography was blacklisted by the USSR in 1977.

During this interactive session with festival educational curator Michelle Heffner Hayes, Ph.D., participants will learn how to view and listen to a traditional flamenco concert.

Collaborators & Colleagues

Hank Willis Thomas is a visual artist working primarily with themes related to identity, history, race, and popular culture.

Jawole Willa Jo Zollar, founding director of Urban Bush Women, on why “wanting profound social change and being an artist [are] not contradictory or binary places.”

The Institute on Disabilities at Temple University presents theater artists Suli Holum and David Bradley’s play A Fierce Kind of Love at Ursinus College.

Grants & Grantees

Jaamil Kosoko created and rehearsed An Expectation of Violence, a dance that delved into the intricacies of personal and public violenc

Grants & Grantees

Since 1980, Susan Hess Modern Dance has sought to grow the audience for contemporary dance and support independent dance artists in the Philadelphia community.

Collaborators & Colleagues

Performing arts expert Diane Ragsdale, a frequent panelist and keynote speaker at arts conferences, is pursuing a PhD in cultural economics at Erasmus University in the Netherlands.

Grants & Grantees

The Philadelphia Ceili Group is an educational organization with an interest in Irish culture, founded in 1958 to preserve traditional ceili and set dancing.

The new FringeArts space on Columbus Boulevard opened last week with Elephant Room, the premiere of which was funded by the Center in 2011.

Promoting cultural exchanges between Ukrainians and the global community, Voloshky Ukrainian Dance Ensemble seeks to represent the country’s culture through dance.