ABC 6 Action News offered a preview of Pennsylvania Ballet’s final performance of the 2013 season, which featured the Center-funded company premiere of William Forsythe’s Artifact Suite. Forsythe’s work demands a high level of athleticism, precision, and extension from dancers, and he modifies his choreographic process based on the dancers with whom he works.
Pennsylvania Ballet Artistic Director Roy Kaiser told ABC 6: “The ballerina is never on balance. She’s never straight up and down. She’s constantly being pulled off, and then it has group sections that literally use every member of the company, so you will have every dancer on stage, sometimes doing things in unison. Sometimes you’ll have 30 people doing 30 different things. You almost don’t know where to look. You’re on the edge of your seat.” Read more >
Bryn Mawr College’s retrospective introduced local audiences to Rethorst’s work and featured a series of public events, all of which provided unique windows into Rethorst’s methodology.
In conjunction with the Center-funded project Words Adorned, Al-Bustan Seeds of Culture will present a free music demonstration with renowned Palestinian vocalist Dalal Abu Amneh and Al-Bustan’s Takht Ensemble.
Judy Hussie-Taylor has served as Executive Director of Danspace Project, a New York City venue for independent experimental choreographers, since 2008. Hussie-Taylor served as a Pew Fellowships panelist in 2012 and 2013, a Performance LOI panelist in 2014, and as the Performance panel chair in 2015.
Wendy Rogers has choreographed and performed contemporary dances for over 40 years around the county, including California and New York.
Historic Germantown is a collaborative of 15 historic houses, museums, and landscapes in the Germantown neighborhood of Philadelphia. The sites have worked together for decades, gradually building their collective capacity in both infrastructure and interpretation.
Jenelle Porter is senior curator at the Institute of Contemporary Art, Boston. Prior to that, she curated at Artists Space in New York and the Institute of Contemporary Art, Philadelphia.
The Wilma Theater’s world premiere production of Paula Vogel’s new play, Don Juan Comes Home from Iraq, has received media attention from various media outlets.
Three concerts showcased classical Carnatic music of Southern India.
In August 2011, the Philadelphia Inquirer hailed Opera Philadelphia’s transformation as a “haven for new opera.”
The Village of Arts and Humanities created a community-centered preservation plan to sustain the organization as the primary arts education institution in North Philadelphia.
Tina Davidson is a composer and a 1992 Pew Fellow.
In her concluding address as the Center’s visiting scholar, Kristy Edmunds discussed the importance of providing a platform for national and international artists alongside local artists.