Voloshky Ukrainian Dance Ensemble celebrated its 40th anniversary in 2012 by collaborating with contemporary choreographer Mark Morris on an original Center-funded dance piece.
Morris is the artistic director of Mark Morris Dance Company in Brooklyn, NY, and the recipient of multiple awards and honors, such as the 2010 Leonard Bernstein Lifetime Achievement Award for the Elevation of Music in Society. He is well known throughout the world for innovative choreography that integrates a diverse range of traditions and techniques, from Eastern European folk dance to classical ballet and modern dance. Voloshky artistic director Taras Lewyckyj felt that Morris’ background as “a choreographer who [embraces] folk traditions while creating wildly innovative contemporary works” made him an exciting choice to expand the range of company work. In another partnership that reflected the significance of this collaboration, two of the world’s foremost Ukrainian dance companies, Voloshky and Ukraine’s Virsky Dance Company, joined together to perform Morris’ new work. The ensemble expected the work to appeal to both sides of its audience: “Those who believe that folk dance is primitive and naïve will have their vision broadened. Those who have been reluctant to embrace newer artistic visions will expand their way of seeing this art.”
The above video of Voloshky Ukrainian Dance Ensemble by Henry Nevison features an interview with Mark Morris talking about his work with the company in creating the new piece.
Pepón Osorio is a visual artist and a 2006 Pew Fellow.
Ain Gordon, the Center’s 2011–13 Visiting Artist, spoke with choreographer and director Merián Soto about her Center-supported piece, SoMoS.
In advance of the premiere of Breaking the Waves, we invited Mazzoli and Vavrek to share insights into their artistic processes and inspirations.
Musicopia brings music education into schools throughout the Philadelphia region, with over 100 teaching artists presenting over 700 programs each year.
Rebecca Taichman is an Obie Award-winning theater director, whose work has been presented at theaters across the country, including American Repertory Theater, Wooly Mammoth Theatre Company, The Old Globe, and ACT.
Dorothy Wilkie’s (Pew Fellow, 2007) choreography involves the re-staging and re-choreographing of traditional West African and Afro-Cuban dances.
In the fall of 2011, Pig Iron Theatre Company embarked on a new chapter in its history as an experimental theater collaborative, launching the Pig Iron School for Advanced Performance Training.
Bryn Mawr College presented noted contemporary choreographer John Jasperse’s Fort Blossom Revisited, created in 2000 and previously performed only at The Kitchen in New York City.
Jones is a movement performance artist who intertwines personal history, diasporic movement, social commentary, and interdisciplinary methods, drawing from, in her words, “the individual and collective lived experiences of blackness.”
The work of Schumann, Gesualdo, Brahms, and Mozart will be performed to evoke themes of fragility, unconventionality, and playfulness explored by the composers late in their careers.
Five Pew Fellows have been awarded artist residencies in 2015, supported by the Center’s ongoing partnership with the Alliance of Artists Communities.
Roko Kawai and a team of collaborators traveled to Japan to develop the dance/sound piece Izu House.