In August 2011, the Philadelphia Inquirer praised Opera Philadelphia’s then-current transformation for creating a “haven for new opera.” The shift in strategy was the result, in part, of a 2010 grant from The Pew Center for Arts & Heritage, specifically designed to add an “interdepartmental research and development” process to Opera Philadelphia’s program planning with an eye towards the strategic goal of becoming known internationally as a source of cutting-edge work.
The article also described the opera’s collaboration with 1999 Pew Fellow and composer Jennifer Higdon. Opera Philadelphia “resurrected” Higdon’s contemporary work-in-progress, Cold Mountain, after its development was halted at the San Francisco Opera. David Patrick Stearns wrote: “In roughly five years, the company has morphed from a conservative, standard-repertoire-based organization to a haven for new opera with a speed that astounds even those who made it happen.” Read more >
EgoPo Classic Theater transforms classic theater and literature into provocative performances, placing equal emphasis on text, vocals, and movement. Its
Hema Rajagopalan is a bharata natyam dancer, teacher, and choreographer, and the founder and artistic director of Natya Dance Theatre, a professional touring company and school that has specialized in bharata natyam for the past 40 years. Rajagopalan served as a 2015 LOI panelist in Performance.
Ben Young is a music researcher and radio host. Twenty years on the air at Columbia University’s WKCR have included continuing in-depth study of the avant-garde jazz of the 1960s.
As we near the end of 2015, we invited Center colleagues, collaborators, and grantees to share a memorable and inspiring cultural experience.
Bryn Mawr College presents two performances of Trisha Brown’s pioneering Early Works, created between 1968 and 1975, blurring the boundaries between performance and visual art.
Jorge Valdivia is the Director of Performing Arts at the National Museum of Mexican Art in Chicago, IL. He served as a Center management panelist in 2011.
Christian Michel is a painter and a 1993 Pew Fellow.
Established in 1963, Pennsylvania Ballet has extended its important Balanchine-based repertoire by presenting new works by a variety of contemporary choreographers.
Experimental music presenter Ars Nova Workshop produced five recordings on the record label High Two.
Conductor Donald Nally and violinist Hanna Khoury on how tradition influences their approach to bringing together a classical Arab chamber ensemble and a Western choir in performance.
Artistic Director Nichole Canuso likes to explore “dances that celebrate the awkwardness, humor and surprise in human experience.”
Philosopher Christoph Cox discusses how audiences can approach the style of music known as “noise.”