Community Education Center

The Community Education Center was founded by local community members to promote shared experiences among diverse audiences. Over time, performing arts became the unifying thread and the Community Education Center has grown into an arts organization with a focus on cultivating a support system for artists, supported through residency and service programs.

References

Grants & Grantees

On view in late 2013, the Institute of Contemporary Art’s comprehensive survey of Rhoades’ all-embracing vision was organized around four room-sized sculptures dating from 1993 to 2006.

Drexel University’s Antoinette Westphal College of Media Arts & Design fosters the study, exploration, and management of the arts: media, design, the performing, and visual.

Van Loon and Wilder chronicle their individual remembered experiences during the making of their collaborative dance piece Eulogy for John Kerry.

Grants & Grantees

Melanie Stewart Dance Theatre creates performance with a focus on devised work that often includes forays into pop culture, political satire, and the human condition.

This essay is a revision of a paper delivered at the University of Texas as part of “An Uncanny Beauty: A Celebration of Deborah Hay Performance and Symposium,” held April 7–8, 2010.

Grants & Grantees

Max Apple (Pew Fellow, 2010) has been described as a “writer’s writer,” a dedicated author of short fiction who writes with precision and control.

Collaborators & Colleagues

Shawn McBride is a writer and a 2005 Pew Fellow.

In conjunction with the ongoing retrospective Trisha Brown: In the New Body, Bryn Mawr College hosts a master class with Eva Karczag.

We asked Oliver, a choreographer and dance professor, “Should we dance in museums?”

In this month’s Pew Fellows news highlights, photographer Emmet Gowin shows his work at the Morgan Library and Museum, and jazz pianist Matt Mitchell and choreographer Susan Rethorst are awarded Doris Duke Impact Awards. Bassist Jamaaladeen Tacuma will pay tribute to the late Ornette Coleman, and visual performance artist Kate Watson-Wallace gives an interview on the evolution of her practice.

As part of the ongoing retrospective Trisha Brown: In the New Body, Bryn Mawr College presents a conversation with former Trisha Brown Dance Company members Eva Karczag and Lisa Kraus.

Collaborators & Colleagues

Bonnie Clearwater is director and chief curator at the NSU Art Museum Fort Lauderdale, where she leads the development of exhibition programs and the expansion of education initiatives and public programming.