Originally founded in Berlin in 1962 as a contemporary dance company rooted in multimedia, the company relocated to Philadelphia in 1968 and quickly established itself in the United States dance scene, performing at New York’s Judson Church and at Jacob’s Pillow with support from the National Endowment for the Arts touring program. In addition to company productions, Group Motion also hosts regular improvisational movement workshops for the public, which allow people of all experience levels to employ dance as a language of expression. Most recently, with support from the Center, the company engaged choreographer Susan Rethorst to create a new work for the group’s core dancers.
During Dancing around the Bride’s run at the Philadelphia Museum of Art, the exhibition received a string of glowing reviews from the New York Times.
DataArts seeks to strengthen the nonprofit arts and cultural sector’s vitality, performance, and public impact by equipping organizations to collect, learn from, and use data effectively.
Two seminal figures of the New York dance world—Bill T. Jones and Susan Rethorst—sat down to talk about their distinct practices and the evolution of the field.
An urban performing arts center on the campus of the University of Pennsylvania, the Annenberg Center presents touring theater, jazz, and world music.
The Philadelphia Flamenco Festival offers a free master class with flamenco master Pastora Galván.
Patricia Lent of the Merce Cunningham Trust, theater-maker Richard Schechner, and video/installation artist Sharon Hayes gather to discuss the question of reenactment in cultural practice, with UC Berkeley professor Shannon Jackson as moderator.
Susan Warden is an independent choreographer who served as artistic director for 940 Dance Company at the Lawrence (Kansas) Arts Center.
Gabrielle Revlock will developed a new dance-theater work with past collaborator Nicole Bindler that explored the nature of creative collaboration, as well as themes of gender, competition, and spectacle.
Choreographer and dancer Jungwoong Kim was born and raised in South Korea, where he studied traditional Korean dance and martial arts, and now resides in Philadelphia.
Rosario Toledo performs Vengo, a piece that switches in and out of the flamenco idiom, originally created to be performed in the streets of her hometown of Cádiz, Spain.
A 2002 MacArthur Fellow and early member of the Association for the Advancement of Creative Musicians, George Lewis is the Edwin H. Case Professor of American Music at Columbia University.
Boomershine has presented his work at Movement Research and Danspace Project, and he arranges and develops workshops and creative/educational residencies for and with Lucinda Childs.