Among the largest art museums in the US, the Philadelphia Museum of Art is a pilgrimage site for modern and contemporary art professionals from all over the world, due in part to its extensive holdings of the work of Marcel Duchamp, as well as its extraordinary Constantin Brancusi sculptures. The Museum is also well known for its Art After 5 series, where Wayne Shorter and his quartet debuted a new work, Lotus, in front of over 4,000 attendees in spring 2010—both the performance and the original commission supported through Center funds. Center support has made possible a number of significant exhibitions at the Museum, including retrospectives on the work of Barnett Newman and Arshile Gorky; a mid-career survey of photographs by Philadelphia-based Zoe Strauss; an exhibition examining the influence of Duchamp on John Cage, Merce Cunningham, Jasper Johns, and Robert Rauschenberg; and a reinstallation of the Museum’s South Asian Galleries. In 2015, the Museum was awarded an Advancement grant to support Creative Africa, an extensive exhibition and performance series centered on historic and contemporary African art. In 2016, with Center support, the Museum will present Philadelphia Assembled, an interactive, socially-engaged, performance and installation project developed in collaboration with Dutch artist Jeanne van Heeswijk.
Piffaro holds a symposium exploring music, poetry, and art in the Spanish Golden Age, and its relation to Miguel de Cervantes’ Don Quixote.
Data Garden co-founders Alex Tyson and Joe Patitucci answer our questions about co-composing music with plants.
Buff Kavelman founded the Kavelman Group Philanthropic Advisors in 1997 to serve individual donors, foundations, and organizations in strategic planning, board development, philanthropic initiatives, and external affairs.
Andrew McIntyre visited the Center in summer 2012 for a day of workshops on visitor behavior and new approaches to engaging arts audiences in the 21st century.
Jessie Montgomery is a violinist, composer, and music educator, who currently serves as composer-educator for the Albany Symphony Orchestra.
Philagrafika presented The Graphic Unconscious as the thematic centerpiece of Philagrafika 2010, a citywide festival.
In an essay for the monograph accompanying Pati Hill: Photocopier, Michelle Cotton, director of the Bonner Kunstverein (Germany), situates Hill’s practice within the conceptual art scene of the 1960s and 70s.
Nadia Hironaka and Matthew Suib developed an exhibition plan to explore early works by experimental filmmaker Pat O’Neill, alongside a new commission.
The Wagner Free Institute of Science is is a natural history museum dedicated to providing free public education in science.
The first museum in the nation focused on families with children ages seven and younger, Please Touch Museum enriches the lives of children by creating learning opportunities through play.
Percussionist Pablo Batista will blend traditional Afro-Cuban rhythms and contemporary Western instrumentation, Afro-Caribbean choreography and evocative multi-media imagery in a performance that will tell a story of the spiritual and cultural resilience of those forced to emigrate from Africa to the Americas and re-establish themselves with dignity.
Greg Osby (Pew Fellow, 2012) has made an indelible mark on contemporary jazz over the past 20 years, leading his own ensembles and performing with musical icons such as Dizzy Gillespie.