Philadelphia’s Clay Studio is a center for local, national, and international ceramic arts communities: a place to learn how to work with clay, a provider of educational programming, and a venue for exhibiting contemporary ceramic art. The Clay Studio has used Center support to shape plans for its future growth, particularly in light of the organization’s need to move from the Old City location it has occupied for almost 30 years.
AUX Curatorial Fellow Jamillah James will moderate a conversation between Philadelphia-based artists Salem Collo-Julin and Maria Dumlao.
The Greater Philadelphia Cultural Alliance is a service organization that represents the interests of 400 arts, culture, and heritage organizations in the Philadelphia area.
WXPN is a public radio station operated by the University of Pennsylvania, best known for its World Cafe music program, distributed by National Public Radio.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents a film by video/performance artist Miles Pflanz and sound artist Kate Levitt, as part of her “Schmart World” series.
Pig Iron Theatre Company launched the School for Advanced Performance Training: a two-year certificate program for actors and directors.
Andrew McIntyre visited the Center in summer 2012 for a day of workshops on visitor behavior and new approaches to engaging arts audiences in the 21st century.
Jane Golden is the founder and executive director of the City of Philadelphia Mural Arts Program.
Chris joined Portland Center Stage as artistic director in May 2000. Before coming to Portland, he was artistic director at Actor’s Express in Atlanta, a company he co-founded in 1988.
FringeArts presented the US premiere of Operetta by acclaimed playwright Witold Gombrowicz, directed by Michał Zadara, with new music by Leszek Możdżer.
Whitney Kimball, Vox Populi’s third AUX Curatorial Fellow, presents artist talks from Jeanine Oleson and Jaimie Warren, the fourth program in the “Schmart World” series.
The Conservation Center for Art & Historic Artifacts developed a fundraising program that has allowed constituents to generate donations online for nominated artifacts in need of preservation funds.
Yancey considers whether arts organizations be expected to approach their businesses with the same degree of courage and creativity that they expect of presenting artists.