Founded in 1995 as an interdisciplinary ensemble, Pig Iron Theatre Company is dedicated to the creation of new and exuberant performance works that defy easy categorization. Over the course of its lifespan, Pig Iron has created over two dozen original works and has toured to festivals and venues across the US, Europe, and Asia. Pig Iron trains the next generation of daring physical theater artists through the Pig Iron School for Advanced Performance Training, a venture that received Center funding. A “longtime fascination with the characters that live on the margins of society,” as Pig Iron describes it, has led the company to devise Center-supported works including the Obie Award-winning Chekhov Lizardbrain, Welcome to Yuba City, and I Promised Myself to Live Faster. In 2016, Pig Iron received a Center Project grant to present A Period of Animate Existence, a new symphonic-theater hybrid that will offer a meditation on life and planetary cycles, set in a time of rapid ecological and technological changes.
We recap our recent gathering of Fellows, Rebecca Rutstein is selected for an “Artist-at-Sea” residency with the Schmidt Ocean Institute aboard the Falkor research vessel, and musicians Mary Lattimore and Chris Forsyth release new albums.
The Philadelphia Art Alliance underwent exhibition planning with artist collective the Miss Rockaway Armada for a project that explored the organization’s relationship to its surrounding neighborhood.
InterAct Theatre Company is committed to producing socially and politically relevant work for theater.
The Wilma Theater’s world premiere production of Paula Vogel’s new play, Don Juan Comes Home from Iraq, has received media attention from various media outlets.
David Ellsworth is a visual artist and a 1999 Pew Fellow.
Obie award-winning playwright Ain Gordon will “embed” himself in the Historical Society’s daily functions, in order to reflect on the processes of how history gets documented and preserved.
Patricia Lent of the Merce Cunningham Trust, theater-maker Richard Schechner, and video/installation artist Sharon Hayes gather to discuss the question of reenactment in cultural practice, with UC Berkeley professor Shannon Jackson as moderator.
Mary Tuomanen and Aaron Cromie present excerpts from The Body Lautrec at FringeArts’ Scratch Night.
Paige Evans is artistic director of LCT3, bringing new artists and audiences to Lincoln Center Theater through full productions and affordable tickets.
The Conservation Center for Arts & Historic Artifacts is one of the country’s largest non-profit conservation labs.
Brian Teare’s (Pew Fellow, 2015) poetry is concerned with embodiment—both our human bodies and the natural environment around us.